In this Issue

Table of Contents

< 40: Emerging Voices

Nicolas Collins
pp. 1-2
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The Voice-Index and Digital Voice Interface

Andrea Young
pp. 3-5
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Singing Interaction: Embodied Instruments for Musical Expression in Opera

Ludvig Elblaus, Carl Unander-Scharin, Åsa Unander-Scharin
pp. 7-12
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Emerging Technologies for Real-Time Diffusion Performance

Bridget Johnson
pp. 13-15
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Affective Audio

Jonathan Weinel, Stuart Cunningham, Darryl Griffiths, Shaun Roberts, Richard Picking
pp. 17-20
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Ritualized Performance in the Networked Era: Alternative Models for New Artistic Media

Juan David Rubio R.
pp. 21-23
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Album Apps: A New Musical Album Format and the Influence of Open Works

Fernanda Sa Dias
pp. 25-27
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Dataffect: Numerical Epistemology and the Art of Data Sonification

Mitchell Akiyama
pp. 29-32
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Electric Music (for Helen Keller)

Noel Celtovic
pp. 33-34
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Moving Instruments

Cody Eikman
pp. 34-35
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Interaction, onde Martenot and Répertoire

Nadia Ratsimandresy
pp. 35-36
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The Mobile Solo Auditor: Personalization and Located Listening

Elen Flügge
pp. 37-38
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Convergence by the Noise Index

Owen Vallis, Jordan Hochenbaum, Jasmin Blasco
pp. 38-39
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Skin Pattern Sonification as a New Timbral Expression

Yoon Chung Han, Byeong-jun Han
pp. 41-43
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Along a Duration of Time: Extending Human Involvement to Remote Regions of the Earth

Anastasya Koshkin
pp. 43-44
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I Have No Mouth (pts.1–6): Introducing Postdigital Spectralism

Ian Fleming
pp. 45-48
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An Elegy for the City: Composing the Urban Character

Budhaditya Chattopadhyay
pp. 49-51
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Cracking Ray Tubes: Reanimating Analog Video in a Digital Context

James Connolly, Kyle Evans
pp. 53-56
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The Decoupled Acoustic String Instrument: A New Concept for an Acoustic String Instrument

Byungjoo Lee
pp. 61-63
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The Role of Mechanical Reproduction in (What Was Formerly Known as) the Record in the Age of Personal Fabrication

Kazuhiro Jo
pp. 65-67
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Dumpster Diving and Post-Electronic Soundmaking

Daniel Wilson
pp. 69-70
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Fun with Information or How I Learned to Stop Worrying and Love Objectivity

Daniel Iglesia
pp. 70-71
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Synthesizing Performance

Kristin Grace Erickson
pp. 71-73
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Discourse, Ideas, Frequencies and Technology

Nicolas Bernier
pp. 73-74
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Convergent Technologies, Custom Aesthetics

Phillip Hermans
pp. 74-75
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Art and the Uncanny: Tapping the Potential

Natacha Diels
pp. 75-77
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Engaging the Audience: A Primer for Sound Art in Public Spaces

Jesse Seay
pp. 77-78
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Sensation and Control: Indeterminate Approaches in Popular Music

Si Waite
pp. 78-79
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The Shape of Spaces yet to Come

Jonathan Chen
p. 81
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The Shape of Spaces yet to Come

Jonathan Chen
p. 82
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Leonardo Volume 47 and Leonardo Music Journal Volume 24

pp. 86-90
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Leonardo Network News

p. 91
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A Closing Remark: On Several Technologies inside the Concertos Series

Kay Festa, Jay Barnacle, You Nakai
pp. 39-41
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A Brief Introduction to Gremlins as Aesthetic Devices

Heather Contant
pp. 57-60
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The Shape of Spaces yet to Come: Contributors’ Notes

Jonathan Chen, Seth Cluett, Li Jianhong, Jessica Feldman, Charles Céleste, Hiram Navarrete, Doug Van Nort, Anne Guthrie
pp. 83-85
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