In this Issue

Table of Contents

LMJ 23: Sound Art

Nicolas Collins
pp. 1-2
restricted access

A Music out of Doors

Llorenç Barber, Rafael Liñan
pp. 3-5
restricted access

The Intimate and the Immersive in Grids: Multichannel Sound Installations

Peter Batchelor
pp. 6-7
restricted access

Three Environments

Marc Berghaus
pp. 7-8
restricted access

Plasticities and Ghosts: Relationships between Stimulus and Memory in Noisy Networks

Jane Grant, John Matthias
pp. 9-10
restricted access

Solar Work #2: A Solar-Powered Sound Artwork

Mike Blow
pp. 10-11
restricted access

Making Sculptures Audible through Participatory Sound Design

Florian Grond, Adriana Olmos, Jeremy R. Cooperstock
pp. 12-13
restricted access

Presentness in Displaced Sound

Yolande Harris
pp. 13-14
restricted access

Mobile Sound and Locative Practice

Jessica Thompson
pp. 14-15
restricted access

Radioscape: Into Electromagnetic Space

Edwin van der Heide
pp. 15-16
restricted access

Listening to Locative Narratives: Illusion and the Imaginative Experience

Emma Whittaker
pp. 17-18
restricted access

Sound Resources: Environmental Installation

Jos Mulder
pp. 18-19
restricted access

Musical Phonography: Upending Listening Expectations

Colin Wambsgans
pp. 19-20
restricted access

Sound Installation 24/7: Aestheticizing Everyday Sound and Rhythm

Florian Hollerweger
p. 21
restricted access

Fragments of Extinction: Acoustic Biodiversity of Primary Rainforest Ecosystems

David Monacchi
pp. 23-25
restricted access

Leonardo Reviews

p. 26
restricted access

Sounds in Your Pocket: Composing Live Soundscapes with an App

Rob van Rijswijk, Jeroen Strijbos
pp. 27-29
restricted access

Leonardo Music Journal Archives Now On-Line!

p. 30
restricted access

Move That Sound There: Exploring Sound in Space with a Markerless Gestural Interface

Yuan-Yi Fan, David Minnen
pp. 31-32
restricted access

Flexible Audio Speakers for Composition and Art Practice

Jess Rowland
pp. 33-36
restricted access

Instruments of Tension: Gramophones, Springs and the Performance of Place

Jay Needham, Eric Leonardson
pp. 37-39
restricted access

Rakes, Live Deaths and Modified Cassette Players: Three Contemporary Sound Artists from Colombia

Ricardo Arias
pp. 41-46
restricted access

Recomposing the City: A Survey of Recent Sound Art in Belfast

Gascia Ouzounian
pp. 47-54
restricted access

(Demolishing) Concrete Music

Simon Polson
pp. 55-57
restricted access

From Ear to Site: On Discreet Sound

Daniele Balit
pp. 59-63
restricted access

Translating Transformations: Object-Based Sound Installations

Ethan Rose
pp. 65-69
restricted access

Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art

Dugal McKinnon
pp. 71-74
restricted access

World on a Wire: Sound as Sensual Objects

Chuck Johnson
pp. 75-77
restricted access

"Electric Music" on the Victorian Stage: The Forgotten Work of J.B. Schalkenbach

Daniel Wilson
pp. 79-85
restricted access

Sound Art Theories Symposium

Lou Mallozzi
p. 87
restricted access

On-Line Supplement: Sound Art Theories Symposium

pp. 88-89
restricted access

sound—or its absence

Seth Cluett
p. 91
restricted access

sound—or its absence

Seth Cluett
p. 92
restricted access

Telephone Voice

James Webb
p. 93
restricted access

The Circulation of Fluids I

Catherine Béchard, Sabin Hudon
pp. 93-94
restricted access

Meanwhile, in Shanghai. . .

Maia Urstad
pp. 94-95
restricted access

Sound Piece from Plataforma Sonora/Torre Reloj

Tania Candiani
p. 95
restricted access

Automatic

Mendi Obadike, Keith Obadike
pp. 95-96
restricted access

Spark, Bubble

Tetsuya Umeda
p. 96
restricted access

Espaces injectés

Pascal Broccolichi
pp. 96-97
restricted access

The Broken Orchestra Live in Stockholm

Hong-Kai Wang
p. 97
restricted access

Archive Tape from the Suffolk Concrete Music Centre 1972

Benedict Drew
pp. 97-98
restricted access

Telemarketing Indeterminacy

Nina Katchadourian
p. 98
restricted access

2013 Author Index: Leonardo Volume 46 and Leonardo Music Journal Volume 23

pp. 99-103
restricted access

Leonardo Network News

pp. 104-106
restricted access

sound—or its absence: Contributors' Notes

Seth Cluett
pp. 93-98
restricted access

Previous Issue

Volume 22, 2012

Next Issue

Volume 24, 2014