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In this Issue

Table of Contents

  1. Reading and Writing the Post-9/11 Cop: Trauma, Personal Testimony, and Jess Walter’s The Zero
  2. Kristine A. Miller
  3. pp. 29-52
  4. DOI: https://doi.org/10.1353/arq.2014.0005
  5. restricted access
  1. Wilder’s Mensch: United Artists and the Critique of Fordism
  2. Ben Rogerson
  3. pp. 53-80
  4. DOI: https://doi.org/10.1353/arq.2014.0007
  5. restricted access
  1. Dialogic Frontiers: History and Psychology in Lonesome Dove and Blood Meridian
  2. David Willbern
  3. pp. 81-108
  4. DOI: https://doi.org/10.1353/arq.2014.0000
  5. restricted access
  1. Vouching for Evidence: The New Life of Old Writing in Lillian Hellman’s Memoirs
  2. Erin Bartels Buller
  3. pp. 109-134
  4. DOI: https://doi.org/10.1353/arq.2014.0001
  5. restricted access
  1. Criticizing Local Color: Innovative Conformity in Kate Chopin’s Short Fiction
  2. Thomas L. Morgan
  3. pp. 135-171
  4. DOI: https://doi.org/10.1353/arq.2014.0004
  5. restricted access
  1. James Baldwin’s Post-Sentimental Fiction: From “Previous Condition” to Another Country
  2. Adam T. Jernigan
  3. pp. 173-201
  4. DOI: https://doi.org/10.1353/arq.2014.0002
  5. restricted access

  1. The Contributors
  2. p. 202
  3. DOI: https://doi.org/10.1353/arq.2014.0003
  4. restricted access