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Table of Contents

  1. Exploring the Limits of Chicana/o and American Studies: Five Texts Every Graduate Student Should Know
  2. R. Allen Baros
  3. pp. 9-19
  4. DOI: https://doi.org/10.1353/arq.2014.0013
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  1. Topographies of Resistance: Cognitive Mapping in Chicano/a Migrant Literature
  2. Carlos Gallego
  3. pp. 21-53
  4. DOI: https://doi.org/10.1353/arq.2014.0014
  5. restricted access
  1. Narrating the Inadmissible: Storytelling and Dialectical Form in Barefoot Heart and Children of the Fields
  2. Marcial González
  3. pp. 55-83
  4. DOI: https://doi.org/10.1353/arq.2014.0015
  5. restricted access
  1. “But It Should Begin in El Paso”: Civil Identities, Immigrant “World”-Traveling, and Pilgrimage Form in John Rechy’s City of Night
  2. Marcelle Maese-Cohen
  3. pp. 85-114
  4. DOI: https://doi.org/10.1353/arq.2014.0008
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  1. Trauma and the 710: The New Metropolis in Helena María Viramontes’s Their Dogs Came with Them
  2. Dale Pattison
  3. pp. 115-142
  4. DOI: https://doi.org/10.1353/arq.2014.0009
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  1. Chicano Vibrations: Notions of Vital Materiality in Lucha Corpi’s Black Widow’s Wardrobe
  2. Marissa López
  3. pp. 143-168
  4. DOI: https://doi.org/10.1353/arq.2014.0010
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  1. The Contributers
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/arq.2014.0012
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  1. Introduction: Migration and Movement(s) in Chicano/a Literature
  2. Carlos Gallego
  3. pp. 1-7
  4. DOI: https://doi.org/10.1353/arq.2014.0011
  5. restricted access