1. On the Mathematics of Geometry in my Abstract Paintings
  2. Crockett Johnson
  3. pp. 97-101
  4. restricted access
  1. Kinetic Art: The Chromara, A Lumia Technique
  2. Richard I. Land
  3. pp. 103-109
  4. restricted access
  1. Transparency and Reflection as Entities in Sculpture of Carved Acrylic Resin
  2. Jacques Schnier
  3. pp. 111-117
  4. restricted access
  1. A Painter’s Discussion of Contemporary Aesthetics
  2. B. George Stark
  3. pp. 119-124
  4. restricted access
  1. Inverted Perspective in Art: Display and Expression
  2. Rudolf Arnheim
  3. pp. 125-135
  4. restricted access
  1. India and Her Arts in the Technological Age
  2. J. C. Kapur
  3. pp. 137-140
  4. restricted access
  1. Method for Producing Sounds or Light Flashes with Alpha Brain Waves for Artistic Purposes
  2. David Rosenboom
  3. pp. 141-145
  4. restricted access
  1. Kinetic Art: On Producing Illusions by Photic-Stimulation of Alpha Brain Waves with Flashing Lights
  2. Robert Baldwin
  3. pp. 147-149
  4. restricted access
  1. Paintings on Transparent Material for Slide Projection
  2. R. Fendler
  3. pp. 150-151
  4. restricted access
  1. My Sculpture Techniques with Polyester Resin
  2. Peggy Goldstein
  3. pp. 152-154
  4. restricted access
  1. The Suspension of Images on Paper in Polyester Resin
  2. William Opalewski
  3. pp. 155-157
  4. restricted access
  1. Kinetic Art: Rotating Bars and Disks on a Rotating Platform
  2. Rhonda, David Whitehead
  3. p. 158
  4. restricted access
  1. Background Paper for the Unesco Symposium on Culture and Science: Have you Answers to the Questions Posed?
  2. pp. 159-164
  3. restricted access
  1. Art, Science and Technology
  2. André Jaumotte
  3. pp. 165-168
  4. restricted access
  1. Terminology
  2. pp. 169-170
  3. restricted access
  1. International Science—Art News
  2. John H. Holloway
  3. pp. 171-172
  4. restricted access
  1. Government Patronage of the Arts in Great Britain by John S. Harris (review)
  2. John Elderfield
  3. p. 174
  4. restricted access
  1. Poetries and Sciences by I. A. Richards (review)
  2. John Elderfield
  3. pp. 175-176
  4. restricted access
  1. Contemporary Art in Africa by Ulli Beier (review)
  2. Romare Bearden, Carl Holty
  3. pp. 176-177
  4. restricted access
  1. Underground Graphics ed. by G. Keen and M. La Rue, and: The Art of Revolution by D. Stermer (review)
  2. Nadine Faingold
  3. pp. 177-178
  4. restricted access
  1. Artists in Spite of Art by R. G. Carraher (review)
  2. Gabriel P. Weisberg
  3. p. 178
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  1. Sources of Color Science ed. by David L. MacAdam (review)
  2. Lawrence Wheeler
  3. pp. 178-179
  4. restricted access
  1. Goethe’s Colour Theory ed. by Rupprecht Matthaei (review)
  2. Michael Wilson
  3. pp. 179-180
  4. restricted access
  1. The Elements of Color by Johannes Itten (review)
  2. Arthur Karp
  3. pp. 180-181
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  1. Light, Color and Environment by Faber Birren (review)
  2. Dick Land
  3. pp. 181-182
  4. restricted access
  1. The Science of Moiré Patterns by Gerald Oster (review)
  2. Cyril Barrett
  3. p. 182
  4. restricted access
  1. Polymer Painting and Related Techniques by Russel O. Woody, Jr., and: Polymer Painting Manual by Fred Gettings (review)
  2. George A. Agoston
  3. pp. 182-183
  4. restricted access
  1. Contemporary Stone Sculpture by Dona Z. Meilach, and: A Sculptor’s Manual by Babridge Copnall (review)
  2. Nigel Konstam
  3. p. 184
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  1. Art from Found Materials: Discarded and Natural by Mary Lou Stribbling (review)
  2. Alan Gummerson
  3. pp. 184-185
  4. restricted access
  1. Letters
  2. Richard D. Buck, Garry Thompson, S. Reese Jones, George A. Agoston, Claire Davidson, Arpad Mezei, Richard S. Hartenberg, James W. Davis, Arthur Karp, Michael Holt, Anthony Hill, James J. Kelly
  3. pp. 187-192
  4. restricted access
  1. Aesthetics and Art Theory. An Historical Introduction by Harold Osborne (review)
  2. Vic Gray
  3. p. 175
  4. restricted access
  1. Books Received
  2. p. 185
  3. restricted access