1. Illustration
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  1. Lenticular Polyester Resin Sculpture: Transparency and Light
  2. Robert C. Bassler
  3. pp. 193-198
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  1. Water-Colour Murals of Technology
  2. Theodore Hancock
  3. pp. 199-202
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  1. The Sign: My Sculpture and Architecture
  2. Pierre Székely
  3. pp. 203-207
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  1. Perspective and the Viewpoint
  2. Kenneth R. Adams
  3. pp. 209-217
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  1. Computer Art: A Visual Model for the Modular Pictures of Manuel Barbadillo
  2. Michael Thompson
  3. pp. 219-226
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  1. On Relationships between Physical form and Human Behavior: The Use of Merg
  2. G. V. Trieschmann
  3. pp. 227-231
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  1. Ontomorphism in Painting Through the Use Of Horizontal, Vertical and Diagonal Elements
  2. Walter Gaudnek
  3. pp. 235-236
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  1. Judging Paintings, an Artist’s Views
  2. Henri Goetz
  3. pp. 237-238
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  1. Kinetic Art: Animation of Color for Cinema Film
  2. Ana Sacerdote de Guthmann
  3. pp. 239-241
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  1. Some Aspects of Evironmental Art
  2. Thomas T. Ichinose
  3. pp. 243-244
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  1. Sculpture: Kerosene-fired Kiln and Steamer for Lost-wax Casting
  2. Nigel Konstant
  3. pp. 245-246
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  1. Contemporary Ivory Carving in Malawi
  2. Carson I. A. Ritchie
  3. pp. 247-248
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  1. Reflections on Art and Science
  2. Aharon Katzir-Katchalsky
  3. pp. 249-253
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  1. A Conversation on Concrete Music and Kinetic Art
  2. Frank J. Malina, Pierre Schaeffer, Joyce Mandelbrojt
  3. pp. 255-260
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  1. Terminology
  2. pp. 261-262
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  1. Art and the Industrial Revolution by F. D. Klingender (review)
  2. Harold Cousins
  3. pp. 263-264
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  1. The Crisis of the Renaissance, 1520–1600 by André Chastel (review)
  2. Alfonz Lengyel
  3. pp. 264-265
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  1. The Appreciation of the Arts. Vol. 4. The Art of Appreciation by Harold Osborne, and: Painting by Peter Owen (review)
  2. Norman Narotzky
  3. pp. 265-266
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  1. Renderings by Max Kozloff (review)
  2. Norman Narotzky
  3. p. 266
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  1. De Stijl by Hans L. C. Jaffé (review)
  2. Alan C. Birnholz
  3. pp. 266-267
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  1. Style and Society: Architectural Ideology in Britain 1835–1914 by Robert Macleod (review)
  2. Eric Gustav Carlson
  3. pp. 267-268
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  1. Visual Thinking by Rudolf Arnheim (review)
  2. Ken Adams
  3. pp. 269-270
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  1. Physics and Man by Robert Karplus (review)
  2. Grace Marmor Spruch
  3. pp. 270-271
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  1. Seeing Beyond the Visible ed. by A. Hewish (review)
  2. James W. Davis
  3. p. 271
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  1. Computer Techniques in Image Processing by Harry C. Andrews (review)
  2. Dick Land
  3. pp. 271-272
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  1. Art in Motion: New Directions in Animation by John Halas (review)
  2. J. E. Jones
  3. p. 272
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  1. Expanded Cinema by Gene Youngblood (review)
  2. Paul Cowen
  3. pp. 272-273
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  1. Letter and Image by Massin (review)
  2. Annette Gadney
  3. pp. 273-274
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  1. The Technique of Fine Art Lithography by M. Knigin, M. Zimiles (review)
  2. S. W. Hayter
  3. pp. 274-275
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  1. Relief Printing by Michael Rothenstein (review)
  2. Ruth Faerber
  3. p. 275
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  1. A Sketchbook in Art History. The Fifteenth Century and the Early Renaissance by J. Alexander (review)
  2. Barron M. Hirsch
  3. pp. 275-276
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  1. Secondary School Art by John Portchmouth, and: Beginner’s Guide to Painting in Oils by Barbara Dorf (review)
  2. David Friend
  3. pp. 276-277
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  1. Letters
  2. pp. 283-287
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  1. On Three Series of my Sculpture
  2. Cesar Bailleux
  3. pp. 233-234
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  1. Books Received
  2. p. 277
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