Articles by Artists

  1. Reflectographs: Nonfigurative Artworks Made Using Photographic Materials
  2. Alan W. Bernheimer
  3. pp. 177-179
  4. restricted access contents
  1. Intaglio Prints of Scientific and Technological Subjects: A Joint Project of an Artist and a Research Engineer
  2. Robert J. Divita, Edward L. Divita
  3. pp. 181-186
  4. restricted access contents
  1. My Kinetic Electric Light Artworks and Stained Glass and Acrylic Airbrush Paintings
  2. Dale E. Mills, Mary Mills
  3. pp. 187-190
  4. restricted access contents
  1. Illustration
  2. p. 190
  3. restricted access contents

General Articles

  1. The Perceptual Constraints on Choosing a Pictorial Station Point
  2. Rebecca K. Jones, Margaret A. Hagen
  3. pp. 191-196
  4. restricted access contents
  1. An Account of Recent Changes in Dance in the U.S.A.
  2. Maxine Sheets-Johnstone
  3. pp. 197-201
  4. restricted access contents

Notes

  1. On Visual Art and Camouflage
  2. Roy R. Behrens
  3. pp. 203-204
  4. restricted access contents
  1. Pictures Based On Voice Graphs: Pictonoms
  2. Aage Justesen
  3. pp. 205-206
  4. restricted access contents
  1. Magic Squares: A Design Source
  2. Ben F. Laposky
  3. pp. 207-209
  4. restricted access contents
  1. On My Non-Figurative Drawings on Photosensitized Paper and Acrylic Paintings
  2. Arno Mandello
  3. pp. 210-212
  4. restricted access contents
  1. Intensity-Modulated Illumination of Paintings and an Unexpected 3-Dimensional Effect
  2. A. A. Mills
  3. p. 213
  4. restricted access contents
  1. Developing Countries and the Fruits of Science
  2. Michael J. Moravcsik
  3. pp. 214-216
  4. restricted access contents
  1. Computer Art: An Attempt To Automate Aspects of the Picture-Making Process
  2. Steve Scrivener
  3. pp. 217-218
  4. restricted access contents
  1. Kinetic Art: Producing ‘Floating Objects’ By Means of the Kaleido-Sculpture Device
  2. James F. Watkins
  3. pp. 219-220
  4. restricted access contents
  1. On My Visual Numerical Artworks
  2. Chris Watts
  3. pp. 221-222
  4. restricted access contents
  1. Kinetic Art: Constructions with Perspex Tubes and Rods
  2. Rhonda Whitehead, David Whitehead
  3. pp. 223-224
  4. restricted access contents

Documents

  1. The Relationship between Colour and Music
  2. W. Garner
  3. pp. 225-226
  4. restricted access contents
  1. The Ecological Approach to the Visual Perception of Pictures
  2. James J. Gibson
  3. pp. 227-235
  4. restricted access contents
  1. Health hazard evaluation of art materials used at the Cooper Union School of Art, New York
  2. Michael McCann
  3. pp. 236-237
  4. restricted access contents

  1. Terminology
  2. p. 238
  3. restricted access contents

Books

  1. The Nature of Scientific Discovery ed. by Owen Gingerich (review)
  2. John Scott Willson
  3. p. 241
  4. restricted access contents
  1. The Force of Knowledge: The Scientific Dimension of Society by John Ziman (review)
  2. James A. Goldman
  3. pp. 241-242
  4. restricted access contents
  1. The Future of Science and Technology: Proceedings of a Seminar ed. by Victor J. Danilov (review)
  2. Frank P. Davidson
  3. p. 242
  4. restricted access contents
  1. The Age of the Molecule: Chemistry in the World and Society by Frank W. Dobbs (review)
  2. James A. Goldman
  3. pp. 242-243
  4. restricted access contents
  1. The Psychology of Thinking by Neil Bolton (review)
  2. D. N. Perkins
  3. p. 243
  4. restricted access contents
  1. An Introduction to Perception by Irvin Rock (review)
  2. Kim James
  3. p. 243
  4. restricted access contents
  1. The Facts of Life: An Essay in Feelings, Facts and Fantasy by R. D. Laing (review)
  2. Jean-Michel Oughourlian
  3. pp. 243-244
  4. restricted access contents
  1. Perspectives in Creativity ed. by Irving A. Taylor and J. W. Getzels (review)
  2. Florence Vidal
  3. p. 244
  4. restricted access contents
  1. Savior Imaginer (Science and Techniques of Imagination) by Florence Vidal (review)
  2. Vera Ferenczi, André Jaumotte
  3. pp. 244-245
  4. restricted access contents
  1. The Pleasures of Deception by Norman Moss (review)
  2. John Scott Willson
  3. p. 245
  4. restricted access contents
  1. Sociology of Leisure by Joffre Dumazedier, The Sociology of Leisure by Stanley Parker (review)
  2. Otto Klineberg
  3. pp. 245-246
  4. restricted access contents
  1. The Sociology of the Arts by Mildred Weil and Duncan Hartley (review)
  2. John Adkins Richardson
  3. p. 246
  4. restricted access contents
  1. History of Photography (An international quarterly) ed. by Heinz K. Henisch (review)
  2. Jacques J. Halber
  3. p. 246
  4. restricted access contents
  1. Art Nouveau: Art and Design at the Turn of the Century ed. by Peter Selz and Mildred Constantine (review)
  2. Michael Rosenthal
  3. pp. 246-247
  4. restricted access contents
  1. History of Collage: An Anthology of Collage, Assemblage and Event Structures by Eddie Wolfram (review)
  2. Charles Pulsford
  3. p. 247
  4. restricted access contents
  1. Bauhaus 1919–1928 ed. by Herbert Bayer, Walter Gropius and Ise Gropius (review)
  2. Lloyd C. Engelbrecht
  3. pp. 247-248
  4. restricted access contents
  1. Progress in Art by Suzi Gablik (review)
  2. T. Healey
  3. pp. 248-249
  4. restricted access contents
  1. American Art by John Wilmerding (review)
  2. LeGrace Benson
  3. pp. 249-250
  4. restricted access contents
  1. America as Art by Joshua C. Taylor (review)
  2. Ferris Olin
  3. p. 250
  4. restricted access contents
  1. Alfred Stieglitz and the American Avant-Garde by William Innes Homer (review)
  2. Lincoln Rothschild
  3. p. 250
  4. restricted access contents
  1. Surrealism and American Art: 1931–1947 by Jeffrey Wechsler (review)
  2. Peter Fingesten
  3. pp. 250-251
  4. restricted access contents
  1. The Scene: Reports on Post-Modern Art by Calvin Tomkins (review)
  2. Harry Rand
  3. p. 251
  4. restricted access contents
  1. The Drawings of Norman McLaren by Norman McLaren (review)
  2. Glenn B. Hamm
  3. pp. 251-252
  4. restricted access contents
  1. The Complete Book of Cartooning by John Adkins Richardson (review)
  2. John Jensen
  3. p. 253
  4. restricted access contents
  1. Photomontage by Dawn Ades (review)
  2. Jacques J. Halber
  3. pp. 253-254
  4. restricted access contents
  1. Biofeedback and the Arts: Results of Early Experiments ed. by David Rosenboom (review)
  2. Robert Baldwin
  3. p. 254
  4. restricted access contents
  1. Environments of Musical Sculpture You Can Build ed. by John Grayson (review)
  2. Elena de Bértola
  3. p. 254
  4. restricted access contents
  1. Wonders of the Stereoscope by John Jones (review)
  2. Roger Ferragallo
  3. p. 255
  4. restricted access contents
  1. The New Television: A Public/Private Art ed. by Douglas Davis and Allison Simmons (review)
  2. Ray E. Knight
  3. pp. 255-256
  4. restricted access contents
  1. The Shapes of Structure by Heather Martienssen (review)
  2. Robert F. Erickson
  3. p. 256
  4. restricted access contents
  1. Sounds and Signals: How We Communicate by Charles T. Meadow (review)
  2. Stroud Cornock
  3. p. 256
  4. restricted access contents

  1. Books Received
  2. pp. 256-257
  3. restricted access contents