1. The Permanency of Artists’ Paints: Comments on Levison’s Report
  2. George A. Agoston
  3. pp. 89-96
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  1. Projected Kinetic Displays and Photomicrographs Based on the Use of Polarized Light
  2. Keith Muscutt
  3. pp. 97-102
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  1. The Development of My Nonfigurative Artworks since the 1950s
  2. Burton Wasserman
  3. pp. 103-106
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  1. Illustration
  2. p. 106
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  1. An Application of Generative Aesthetics to German Late Gothic Rib Vaulting
  2. W. Müller
  3. pp. 107-110
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  1. Perception of Subjective Lines, Surfaces and Volumes in 3-Dimensional Constructions
  2. Colin Ware, John M. Kennedy
  3. pp. 111-114
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  1. Artemisia: A Women’s Cooperative Gallery in Chicago
  2. Lucia Adams Beier
  3. pp. 115-117
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  1. Computer Graphics: Grid Structures
  2. Roger Coqart
  3. pp. 118-119
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  1. Artists’ Rights in the U.S.A.: Current Action
  2. Mark L. Favermann
  3. pp. 120-121
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  1. Making Drawings and Lithographs without a Preconceived Notion of their Composition
  2. Barbara Freeman
  3. pp. 122-123
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  1. Report on the Exhibition of the Group of Thirteen of CAYC, Argentina, at the Xivth São Paulo International Biennial, 1977
  2. Jorge Glusberg
  3. pp. 124-125
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  1. Comments on the Book Computer Animation
  2. Ana Sacerdote de Guthmann
  3. pp. 126-128
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  1. A Discussion of Pictured Impossibles with Reference to Nelson Goodman’s Analysis of Fictional Objects
  2. Sheldon Richmond
  3. pp. 129-130
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  1. The Mind’s Eye: Nonverbal thought in Technology
  2. Eugene S. Ferguson
  3. pp. 131-139
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  1. Extracts from Euclidean Space, The Book by K. S. Petrov-Vodkin (1878–1939)
  2. Kirill Sokolov
  3. pp. 140-144
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  1. Declaration of Artists’ Rights of the Artists Equity Association (A.E.A.), U.S.A.
  2. pp. 145-146
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  1. Terminology
  2. p. 147
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  1. International Science-Art News
  2. John H. Holloway, Trevor R. Tolhurst
  3. p. 148
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  1. Aesthetics for Contemporary Artists
  2. Elmer H. Duncan
  3. pp. 149-152
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  1. Vistas in Physical Reality: Festschrift for Henry Margenau ed. by Ervin Laszlo and Emily B. Sellon (review)
  2. James A. Goldman
  3. p. 153
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  1. The Structure of the Universe by Jayant Narlikar (review)
  2. Roger F. Malina
  3. pp. 153-154
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  1. Physics for People Who Think They Don’t Like Physics by Jerry S. Faughn and Karl F. Kuhn (review)
  2. Grace Marmor Spruch
  3. p. 154
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  1. Perception and Information by Paul J. Barber and David Legge (review)
  2. E. Bruce Goldstein
  3. p. 154
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  1. The Psychology of Color and Design by Deborah T. Sharpe (review)
  2. Lois Swirnoff
  3. p. 156
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  1. Art and Artist: Creative Urge and Personality Development by Otto Rank (review)
  2. Ellen Dissanavake
  3. pp. 156-157
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  1. Reflections on Language by Noam Chomsky (review)
  2. Martin Steinmann Jr.
  3. pp. 157-158
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  1. The Sciences, the Humanities and the Technological Threat ed. by W. Roy Niblett (review)
  2. John Scott Willson
  3. p. 158
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  1. Sexual Divisions and Society: Process and Change ed. by Diana Leonard Barker and Sheila Allen (review)
  2. Claire Davidson
  3. pp. 158-159
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  1. Fact in Fiction: The Use of Literature in the Systematic Study of Society by Joan Rockwell (review)
  2. Blake Morrison
  3. p. 159
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  1. The Economics of the Arts ed. by Mark Blaug (review)
  2. Eric Roll
  3. pp. 159-160
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  1. Cultural Policy in Afghanistan by Shafie Rahel (review)
  2. M. Nazif Shahrani
  3. p. 160
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  1. Some Aspects of Cultural Policies in India by Kapila Malik Vatsyayan (review)
  2. K. G. Subramanyan
  3. p. 160
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  1. Kenya: The Land, Its Art and Its Wildlife—An Anthology ed. by Frederick Lumley, Made in West Africa by Christine Price (review)
  2. S. I. Clerk
  3. pp. 160-161
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  1. A New Theory of Beauty by Guy Sircello (review)
  2. Elmer H. Duncan
  3. p. 161
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  1. On Value Judgments in the Arts and Other Essays by Elder Olson (review)
  2. Gerhard Charles Rump
  3. pp. 161-162
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  1. Painters and Politics: The European Avant-Garde and Society, 1900–1925 by Theda Shapiro (review)
  2. Berel Lang
  3. p. 162
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  1. The Transformative Vision: Reflections on the Nature and History of Human Expression by José A. Argüelles (review)
  2. Nicholas Mann
  3. pp. 163-164
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  1. The Heritage of Apelles: Studies in the Art of the Renaissance by E. H. Gombrich (review)
  2. David R. Topper
  3. p. 164
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  1. The Natural Paradise: Painting in America 1800–1950 ed. by Kynaston McShine (review)
  2. R. S. Biran
  3. pp. 164-165
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  1. Manet and the Modern Tradition by Anne Coffin Hanson (review)
  2. Alan C. Birnholz
  3. p. 165
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  1. The Triumph of American Painting: A History of Abstract Expressionism by Irving Sandler (review)
  2. Henry P. Raleigh
  3. pp. 165-166
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  1. The Story of South African Painting by Esmé Berman (review)
  2. P. M. Erasmus
  3. p. 166
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  1. The Language of Sculpture by William Tucker (review)
  2. Norbert Lynton
  3. pp. 166-167
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  1. A Decade of Sculpture: The New Media in the 1960’s by Julia M. Busch (review)
  2. Jan Zach
  3. p. 167
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  1. Juraj Krén by Viera Luxová (review)
  2. Albert Garrett
  3. p. 167
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  1. L’Entité art-actuel (art principle) by Pic G. Adrian (review)
  2. Etienne Souriau
  3. p. 167
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  1. The Thames and Hudson Manual of Lithography by Richard Vicary (review)
  2. Marcel Salinas
  3. pp. 167-168
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  1. The Appreciation of Stained Glass by Lawrence Lee (review)
  2. Peter Tysoe
  3. p. 168
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  1. Videology and Utopia: Explorations in a New Medium by Alfred Willener, Guy Milliard and Alex Gantry (review)
  2. John Halas
  3. p. 168
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  1. The Architect in History by Martin Shaw Briggs (review)
  2. Laszlo Nemeth
  3. pp. 168-169
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  1. Pythagorean Palaces: Magic and Architecture in the Italian Renaissance by G. L. Hersey (review)
  2. N. N. Patricios
  3. p. 169
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  1. The Failure of Modern Architecture by Brent C. Brolin (review)
  2. Robert F. Erickson
  3. p. 169
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  1. Authenticity in Art: The Scientific Detection of Forgery by Stuart J. Fleming (review)
  2. Larry Slifkin
  3. pp. 169-170
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  1. Textile Collections of the World: Volume 1, United States and Canada ed. by Cecil Lubell (review)
  2. Dorothy Grotz
  3. p. 170
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  1. Letters
  2. pp. 172-176
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  1. Books Received
  2. pp. 170-171
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