1. Color Plates
  2. restricted access contents
  1. The Electronic Bauhaus Revisited
  2. Jürgen Claus
  3. pp. 271-272
  4. restricted access contents
  1. An Appraisal of 25 years of Leonardo and Suggestions for Future Developments
  2. Jacques Mandelbrojt
  3. pp. 272-273
  4. restricted access contents
  1. Music Notation and the Search for Extra-Terrestrial Intelligence
  2. David Rosenboom
  3. pp. 273-274
  4. restricted access contents
  1. Leonardo: 25th Anniversary
  2. Jorge Glusberg, Wendy Gibson
  3. p. 274
  4. restricted access contents
  1. Tribute to Frank J. Malina
  2. Pierre Székely
  3. p. 275
  4. restricted access contents
  1. Gateway
  2. pp. 277-281
  3. restricted access contents
  1. Orchestrating Digital Micromovies
  2. Glorianna Davenport, Ryan Evans, Mark Halliday
  3. pp. 283-288
  4. restricted access contents
  1. Amphography: The Art of Figurative Tiling
  2. John A. L. Osborn
  3. pp. 289-291
  4. restricted access contents
  1. Space Flight Dolphin: An Art-and-Technology Payload for the Space Shuttle
  2. Richard Clar
  3. pp. 293-296
  4. restricted access contents
  1. The Cosmic Dancer: Sculpture and the Absence of Gravity
  2. Arthur Woods
  3. pp. 297-301
  4. restricted access contents
  1. Waterless Lithography Using Traditional Grained or Commercial Photosensitive Plates
  2. Nik Semenoff
  3. pp. 303-308
  4. restricted access contents
  1. Paul Klee and the Energetics-Atomistics Controversy
  2. K. Porter Aichele
  3. pp. 309-315
  4. restricted access contents
  1. Arts and Media: Towards a Universal Understanding? The Myth of Babel Revisited—An International UNESCO Symposium
  2. Sabine Fabo, Manfred Eisenbeis
  3. pp. 316-319
  4. restricted access contents
  1. The Center for Arts and Technology at Connecticut College
  2. Pamela Galvani, David A. Smalley, Noel B. Zahler
  3. pp. 319-320
  4. restricted access contents
  1. Interactive Essay: Portrait of People Living with AIDS
  2. Hazen B. Reed
  3. pp. 321-322
  4. restricted access contents
  1. New Horizons: Notes on Video Installation
  2. Ron Rocco
  3. pp. 322-323
  4. restricted access contents
  1. Fictitious Archaeology: The Museum as Promoter of Truth?
  2. Ira Marom
  3. pp. 323-324
  4. restricted access contents
  1. Methods for the Seventeen Distinct Types of Two-Colour Frieze Patterns
  2. Amer Shaker Salman
  3. p. 324
  4. restricted access contents
  1. The Utility of not Choosing Between Poetry and Art: A Sculptor’s Use of New Technologies
  2. Christian Lavigne
  3. p. 325
  4. restricted access contents
  1. Architecture in the Culture of Early Humanism by Christine Smith (review)
  2. Rudolf Arnheim
  3. p. 326
  4. restricted access contents
  1. Alexander by Edward Lucie-Smith (review)
  2. Graham Saxby
  3. pp. 326-327
  4. restricted access contents
  1. Zometool—The 31-Zone Structural System by Biocrystal Inc (review)
  2. Balázs Hargittai
  3. pp. 327-329
  4. restricted access contents
  1. Leonardo Special Issue Archives of Holography
  2. W. James Conradi
  3. p. 330
  4. restricted access contents
  1. Development through Images: An Introductory Remark
  2. Yona Friedman
  3. p. 333
  4. restricted access contents
  1. Art, Science and Technology in an Expanded Field
  2. Adam Lucas
  3. pp. 335-345
  4. restricted access contents
  1. Communication, A Critical Pathway to Development
  2. Jacques Richardson
  3. pp. 347-351
  4. restricted access contents
  1. On Paintings and Propositions: A New Approach to Syntax in the Visual Arts
  2. Elizabeth Saenger
  3. pp. 353-357
  4. restricted access contents
  1. Scientific Theory as One of the Fine Arts
  2. Yona Friedman
  3. pp. 359-363
  4. restricted access contents
  1. Materials Received
  2. p. 329
  3. restricted access contents