1. Color Plate
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  1. Art as Adaptation
  2. Harry Rand
  3. pp. 175-176
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  1. Telenoia: Art in the Age of Artificial Life
  2. Roy Ascott
  3. pp. 176-177
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  1. To Rediscover the Wheel?: The Dilemma of the Inventive Technologist in the Third World
  2. Yusuf A. Grillo
  3. pp. 177-178
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  1. A Method for Judging Colors
  2. George A. Agoston
  3. p. 178
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  1. Virtual Reality and Technological Frontiers
  2. Richard I. Land
  3. p. 179
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  1. A Personal Electronic Museum
  2. Sonia Landy Sheridanc
  3. pp. 179-180
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  1. Intuition and Intellect
  2. Herbert W. Franke, Ute McGlan
  3. pp. 180-181
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  1. Scientists and Artists—Artisans Searching for New Realities
  2. Giorgio Careri
  3. pp. 181-182
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  1. Art and Science
  2. Anthony Hill
  3. p. 182
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  1. The Present State of the American Society of Aesthetics
  2. Elmer H. Duncan
  3. pp. 182-183
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  1. Gateway
  2. David Ray, Annick Bureaud, Roger F. Malina
  3. pp. 185-191
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  1. Erratum
  2. p. 191
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  1. Before Sexual Difference: The Art and Science of Genital Embryogenesis
  2. Jack Butler
  3. pp. 193-200
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  1. Shape and Order in Organic Nature: The Nautilus Pompilius
  2. Rory Fonseca
  3. pp. 201-204
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  1. Notes on Genetic Art
  2. George Gessert
  3. pp. 205-211
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  1. Ballones: A Ballet Animation Language
  2. Natalie Louise Hall-Marriott, Don Herbison-Evans
  3. pp. 213-218
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  1. The Role of Formal Art Training on Perception and Aesthetic Judgment of Art Compositions
  2. C.F. Nodine, P.J. Locher, E.A. Krupinski
  3. pp. 219-227
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  1. Memoir: Behind the Scenes at Leonardo 1970–1981
  2. George A. Agoston
  3. pp. 229-234
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  1. Relations between Preference and Typicality in the Experience of Paintings
  2. A.T. Purcell
  3. pp. 235-241
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  1. The Wind Industry’s Experience with Aesthetic Criticism
  2. Paul Gipe
  3. pp. 243-248
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  1. Art and Emotions: International Symposium, Perm, Russia, 17–21 September 1991
  2. Valdimir Petrov, Leonid Dorfman
  3. p. 249
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  1. The Electronic Mural Project
  2. Judith Mayer
  3. p. 250
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  1. Painting The Universe
  2. Glynn Gorick
  3. pp. 250-251
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  1. Computer Imaging in Support of the Space Exploration Initiative (SEI) Mission Planning Process
  2. Jack Frassanito
  3. pp. 251-252
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  1. Polyhedron Perspective: The Total Picture
  2. Dick A. Termes
  3. pp. 252-254
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  1. Synergy: A Performance with Laser Light and Dance
  2. Robert Martin
  3. pp. 254-255
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  1. Hall of Whispers: A Virtual Opera
  2. Brian Andreas
  3. pp. 256-257
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  1. Mahasukha Halo
  2. Richard Gess
  3. pp. 257-258
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  1. Quibbling: A Hyperfiction
  2. Carolyn Guyer
  3. p. 258
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  1. A Certain Uncertainty
  2. Lynn Pocock-Williams
  3. p. 258
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  1. The Last Garden
  2. Richard Povall
  3. pp. 258-259
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  1. The Word the Play Attaching at a Wide Interval
  2. Jim Rosenberg
  3. pp. 259-260
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  1. Think About the People Now/Think About the Media Now
  2. Paul Sermon
  3. p. 260
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  1. Sound Tracks to Reality
  2. Walter Siegfried
  3. pp. 260-261
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  1. Deus ex Machina/Closet of Angels
  2. Deborah Whitman
  3. p. 261
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  1. Art and Physics: Parallel Visions in Space, Teme and Light by Leonard Shlain (review)
  2. Rudolf Arnheim
  3. pp. 262-263
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  1. To the Rescue of Art: Twenty-Six Essays by Rudolf Arnheim (review)
  2. David Carrier
  3. p. 263
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  1. In Defence of Science: Science, Technology and Politics in Modern Society by J.W. Grove (review)
  2. David Pariser
  3. pp. 263-266
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  1. Blueprint for Space: Science-Fiction to Science Fact by Frederick I. Ordway III, Randy Lieberman (review)
  2. Roger F. Malina
  3. p. 266
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  1. Prisoners of Software: An Art-Science-Technology Review (review)
  2. Mit Mitropoulos
  3. p. 268
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  1. The Art and Architecture Thesaurus: Authority Reference Tool™ Edition (review)
  2. p. 269
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  1. Palm-Size Plastic Case Series
  2. Joe Rosen
  3. p. 259
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  1. MIDI: A Comprehensive Introduction by J. Rothstein (review)
  2. Axel Mulder
  3. pp. 266-267
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  1. Materials Received
  2. pp. 269-270
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