1. Color Plates
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  1. Leonardo: Looking to the Future
  2. Roger F. Malina
  3. p. 1
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  1. Intellectual Versus Real Property Rights
  2. Ox Jack
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  1. Gate Way
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  1. Nature Is Leaving Us: A Video Theatre Work
  2. Miroslaw Rogala, Darrell Moore
  3. pp. 11-18
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  1. Mathematics for the Garden of the Mind
  2. Anna Campbell Bliss
  3. pp. 19-22
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  1. Ghost Machine: A Filmmaker’s Optical Image Processor
  2. Aldo d’Angelo, Lilias Green
  3. pp. 23-27
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  1. Planks, Programs and Art: Computer Graphics as a Sculptural Tool
  2. Anna Ursyn
  3. pp. 29-32
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  1. The ARSAT Saga: The Adventures of an Art-Science Space Concept
  2. Pierre Comte
  3. pp. 33-35
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  1. Flowers of Human Presence: Effects of Esthetic Values on the Evolution of Ornamental Plants
  2. George Gessert
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  1. The Perception of the Fleeting Moment in Dance
  2. Don Herbison-Evans
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  1. Etching and Tone Creation Using Low-Voltage Anodic Electrolysis
  2. Omri M. Behr, Marion R. Behr
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  1. Transitions in the Topology of Polyhedra
  2. Yasushi Kajikawa, C. Stanley Smith
  3. pp. 57-64
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  1. The Place of High-Technology Art in the Contemporary Art Scene
  2. Frank Popper
  3. pp. 65-69
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  1. Les Artistes et la Lumière—Artists and Light
  2. Marc Piemontese, Roger F. Malina, Victoria Bridges Mourasson
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  1. Experimenting with Computer Graphics: In Search of Aesthetic Objectivity
  2. Prabhakar Barwe
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  1. Computer Users’ Report: Art is Still Art
  2. Lynne Roberts-Goodwin, Phillip George
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  1. Painting with Dongba Pictographs
  2. Xu Zheng Qiang, Lan Bi Ying
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  1. Synesthesia and Musical Space: On Yavorskv’s Forgotten Hypothesis and a Proposal for an Experiment in Zero Gravity
  2. Bulat M. Galeyev
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  1. About Words on Works/Geo-Sonic
  2. Bill Buchen, Mary Buchen, Judy Malloy
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  1. Point of Reference
  2. Madelon Hooykaas, Elsa Stansfield
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  1. Afternoon, A Story
  2. Michael Joyce
  3. pp. 79-80
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  1. Home on the Range
  2. Kimberly Kelzer
  3. p. 80
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  1. Portraits in Common Time
  2. Lynn Kirby
  3. p. 81
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  1. Stake-Out at Post Office Bay
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  1. Digital Processing in Performance: Rerebong and Electricity
  2. Neil B. Rolnick
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  1. Anamorphoses of Memory
  2. Jeffrey Shaw, Dirk Groeneveld
  3. p. 83
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  1. The Nixon Bookmobile
  2. G.P. Skratz, Bob Davis
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  1. The Flying Dream
  2. Fred Truck
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  1. Goethe’s Botanical Writings by Bertha Mueller (review)
  2. Rudolf Arnheim, Eric Rauch
  3. p. 85
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  1. Science in Cinema: Teaching Science Fact through Science-Fiction Film by Leroy Dubeck, Suzanne Moshier and Judidi Boss (review)
  2. David Pariser
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  1. Symmetrie, Bauplan Der Welt by Henning Genz (review)
  2. Rudolf Arnheim
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  1. Manual of Practical Holography by Graham Saxby (review)
  2. Ron Graham
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  1. Intercommunication: A Journal Exploring the Frontiers of Art and Technology (review)
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  1. Comment on “Anamorphosis and the Eccentric Observer: Inverted Perspective and the Construction of the Gaze”
  2. Vladimir Tamari
  3. p. 90
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  1. Comment on “Computer Graphics for the Analysis of Perspective in Visual Art: Las Meninas, by VelÁzquez”
  2. Topper David
  3. p. 90
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  1. Commentaries
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  1. Comment on “On Memory (Electronic or Otherwise)”
  2. Michael Rodemer
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  1. Materials Received
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