1. Visual Theory and Leonardo
  2. David Carrier
  3. pp. 93-94
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  1. Gateway
  2. Annick Bureaud, George Cockburn, Christian Rigal
  3. pp. 95-101
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  1. The Influence of Titles on How Paintings Are Seen
  2. Margery B. Franklin, Robert C. Becklen, Charlotte L. Doyle
  3. pp. 103-108
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  1. Evolution of the Pragmatic Paradigm: The Agency of Graphic Media in Cognitive Development
  2. Howard Jones
  3. pp. 109-116
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  1. Color Grammars: The Representation of Form and Color in Designs
  2. Terry W. Knight
  3. pp. 117-124
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  1. Visual Textures as Impressionistic and Linguistic Messages: The Communication of Aesthetic, Scientific and Stylistic Information
  2. Thorne Shipley
  3. pp. 125-133
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  1. The First Picture Show: Cinematic Aspects of Cave Art
  2. Edward Wachtel
  3. pp. 135-140
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  1. Review of The Nature of Creativity: Contemporary Psychological Perspectives, Robert J. Sternberg, ed.
  2. David Pariser
  3. pp. 141-144
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  1. A Policy Model for Self-Funding of Ethical Science through the Arts
  2. Robert Pope
  3. pp. 145-148
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  1. An Experimental Study of Aesthetic Response to Geometric Configurations of Architectural Space
  2. Ahmet Vefik Alp
  3. pp. 149-157
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  1. The Limit of the Visual World
  2. Fernando R. Casas
  3. pp. 159-164
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  1. The Telephone Paintings: Hanging Up Moholy
  2. Louis Kaplan
  3. pp. 165-168
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  1. An Affair with a Mouse
  2. Navjot Altaf
  3. p. 169
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  1. The Merged Evolution of Artificial Life, Genes and Culture
  2. Susantha Goonatilake
  3. pp. 169-170
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  1. Antaress
  2. Paul Hartal
  3. pp. 170-171
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  1. Light-Figure
  2. Thorbjorn Lausten
  3. p. 171
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  1. Changing Images of Pictorial Space: A History of Spatial Illusion in Painting by William V. Dunning (review)
  2. Rudolf Arnheim
  3. p. 172
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  1. Rethinking the forms of Visual Expression by Robert Sowers (review)
  2. Rudolf Arnheim
  3. pp. 172-173
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  1. Elektronisches Gestalten in Kunst und Design: Richtungen, Institutionen, Bergriffe by Jürgen Claus (review)
  2. Frank Popper
  3. pp. 173-174
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  1. Books Received
  3. p. 174
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