1. Color Plates
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  1. In Collaboration with Machines
  2. Curtis E.A. Karnow
  3. pp. 247-248
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  1. The Leonardo Gallery
  2. Paul Hertz
  3. pp. 249-259
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  1. Mistaken Identities: An Interactive CD-ROM Genealogy
  2. Christine Tamblyn
  3. pp. 261-266
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  1. Coordinates for an Alignment of a Jigsaw
  2. Sue Rees
  3. pp. 267-268
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  1. A Painter’s Thesis: Quantum Physics as an Inspiration for Art
  2. Guy Levrier
  3. pp. 268-269
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  1. Sculptural Creations Based on Astronomical Phenomena
  2. Jiří Matoušek, Jiří Valoch
  3. p. 269
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  1. Principles of the Architecture and morphogenesis of biological Assemblies
  2. Aaron Klug
  3. pp. 273-275
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  1. Genetics of Animal Design
  2. Peter Lawrence
  3. pp. 275-276
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  1. Interlocking Rings and Knots at the Molecular Level
  2. Jean-Pierre Sauvage
  3. pp. 276-277
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  1. Dendrimers and Dendrons: Controlled Macromolecular Structure According to Dendritic Branching Rules and Principles
  2. Donald A. Tomalia
  3. pp. 277-278
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  1. Lygia Clark and Hélio Oiticica: A Legacy of Interactivity and Participation for a Telematic Future
  2. Simone Osthoff
  3. pp. 279-289
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  1. Artificial Innocence: Interactions between the Study of Children’s Drawing and Artificial Intelligence
  2. Edward Burton
  3. pp. 301-309
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  1. Creativity in Design: Analyzing and Modeling the Creative Leap
  2. Nigel Cross
  3. pp. 311-317
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  1. Objects in Transition: A Spatial Paradigm for Creative Design
  2. William Godwin, Päivi Mäkirinne-Crofis, Sohrab Saadat
  3. pp. 319-325
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  1. In Memorium: Päivi Mäkirinne-Crofts
  2. p. 325
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  1. Creativity and Sensation: The Case for Synaesthetic Media
  2. John A. Waterworth
  3. pp. 327-330
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  1. Mirrors in Mind by Richard Gregory (review)
  2. István Hargittai
  3. p. 331
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  1. Iterations, The New Image ed. by Timothy Druckrey (review)
  2. Stephen Wilson
  3. pp. 331-332
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  1. Fair Use: The Story of The Letter U and the Numeral 2 by Negativland (review)
  2. Cliff Pickover
  3. p. 332
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  1. The New Cultural Gatekeepers: Who is Defining Digital Art and How do They Define it? (review)
  2. Cynthia Pannucci
  3. pp. 332-333
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  1. Leonardo Digital Reviews
  2. p. 334
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  1. Correction
  2. p. 334
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  1. Materials Received
  2. pp. 333-334
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