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Table of Contents

  1. Feasting on Eyre: Community, Consumption, and Communion in The Shoemaker's Holiday
  2. Stephen Maynard
  3. pp. 327-346
  4. DOI: https://doi.org/10.1353/cdr.1998.0018
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  1. Wavering Identity: A Pirandellean Reading of Saadallah Wannus's The King Is the King
  2. Aleya A. Said
  3. pp. 347-361
  4. DOI: https://doi.org/10.1353/cdr.1998.0025
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  1. Fireworks, Turks, and Long-Necked Mules: Pyrotechnic Theater in Germany and Catalonia
  2. Max Harris
  3. pp. 362-388
  4. DOI: https://doi.org/10.1353/cdr.1998.0032
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  1. Dances with Mei Lanfang: Brecht and the Alienation Effect
  2. Ronnie Bai
  3. pp. 389-433
  4. DOI: https://doi.org/10.1353/cdr.1998.0040
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  1. Demons of Disorder: Early Blackface Minstrels and Their World by Dale Cockrell (review)
  2. John Saillant
  3. pp. 434-435
  4. DOI: https://doi.org/10.1353/cdr.1998.0048
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  1. Rewriting Melodrama: The Hidden Paradigm in Modern Spanish Theater by Wadda C. Ríos-Font (review)
  2. Elena Garcia-Martin
  3. pp. 436-438
  4. DOI: https://doi.org/10.1353/cdr.1998.0007
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  1. "Antike Roman": Power Symbology and the Roman Play in Early Modern England, 1585-1635 by Clifford Ronan (review)
  2. Margaret J. Arnold
  3. pp. 438-440
  4. DOI: https://doi.org/10.1353/cdr.1998.0015
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  1. Menander and the Making of Comedy by J. Michael Walton and Peter D. Arnott (review)
  2. Robert C. Ketterer
  3. pp. 440-443
  4. DOI: https://doi.org/10.1353/cdr.1998.0022
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  1. Civic Ritual and Drama ed. by Alexandra F. Johnston and Wim Hüsken (review)
  2. John J. McGavin
  3. pp. 443-446
  4. DOI: https://doi.org/10.1353/cdr.1998.0029
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  1. Puppets of Nostalgia: The Life, Death, and Rebirth of the Japanese Awaji Ningyo Tradition by Jane Marie Law (review)
  2. Kunikazu Iwane
  3. pp. 446-448
  4. DOI: https://doi.org/10.1353/cdr.1998.0037
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  1. Our Moonlight Revels: A Midsummer Night's Dream in the Theatre by Gary Jay Williams (review)
  2. Ralph Berry
  3. pp. 448-451
  4. DOI: https://doi.org/10.1353/cdr.1998.0045
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  1. Sophocles' Tragic World: Divinity, Nature, Society by Charles Segal (review)
  2. E. Christian Kopff
  3. pp. 451-454
  4. DOI: https://doi.org/10.1353/cdr.1998.0004
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  1. John Bale by Peter Happé (review)
  2. Erick Kelemen
  3. pp. 454-456
  4. DOI: https://doi.org/10.1353/cdr.1998.0012
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  1. Samuel Beckett's Artistic Theory and Practice: Criticism, Drama and Early Fiction by James Acheson, and: Damned to Fame: The Life of Samuel Beckett by James Knowlson (review)
  2. Dawn Duncan
  3. pp. 456-462
  4. DOI: https://doi.org/10.1353/cdr.1998.0020
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