In this Issue

Table of Contents

The Confusions of Gallathea: John Lyly as Popular Dramatist

Kent Cartwright
pp. 207-239
DOI: https://doi.org/10.1353/cdr.1998.0000
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Pirandello, the Sacred, and the Death of Tragedy

Nina daVinci Nichols
pp. 240-251
DOI: https://doi.org/10.1353/cdr.1998.0008
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Walls and Scaffolds: Pictorial and Dramatic Passion Cycles in the Duchy of Savoy

Véronique Plesch
pp. 252-290
DOI: https://doi.org/10.1353/cdr.1998.0016
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English Drama 1660-1700 by Derek Hughes (review)

Michael Cordner
pp. 291-293
DOI: https://doi.org/10.1353/cdr.1998.0023
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The Medieval Theater in Castile by Charlotte Stern (review)

Manuel J. Gómez-Lara
pp. 293-297
DOI: https://doi.org/10.1353/cdr.1998.0030
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Shaw's People: Victoria to Churchill by Stanley Weintraub, and: Bernard Shaw: The Ascent of the Superman by Sally Peters, and: George Bernard Shaw and the Socialist Theatre by Tracy C. Davis (review)

James Coakley
pp. 297-302
DOI: https://doi.org/10.1353/cdr.1998.0038
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Thomas Arden in Faversham: The Man Behind the Myth by Patricia Hyde (review)

M. L. Stapleton
pp. 302-304
DOI: https://doi.org/10.1353/cdr.1998.0046
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Shakespeare East and West ed. by Minoru Fujita and Leonard Pronko (review)

Ralph Berry
pp. 304-306
DOI: https://doi.org/10.1353/cdr.1998.0005
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Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England by Huston Diehl (review)

R. Chris Hassel Jr.
pp. 310-314
DOI: https://doi.org/10.1353/cdr.1998.0021
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Theatre and Feminist Aesthetics ed. by Karen Laughlin and Catherine Schuler (review)

Regula Meyer Evitt
pp. 314-315
DOI: https://doi.org/10.1353/cdr.1998.0028
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"Household Business": Domestic Plays of Early Modern England by Viviana Comensoli (review)

Greg Walker
pp. 316-317
DOI: https://doi.org/10.1353/cdr.1998.0035
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English Parish Drama ed. by Alexandra F. Johnston and Wim Hüsken (review)

Margaret Rogerson
pp. 317-320
DOI: https://doi.org/10.1353/cdr.1998.0043
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Shakespeare Manipulated: The Use of the Dramatic Works of Shakespeare in teatro di figura in Italy by Susan Young (review)

Doc Rossi
pp. 320-322
DOI: https://doi.org/10.1353/cdr.1998.0002
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Three Tragic Actresses: Siddons, Rachel, Ristori by Michael R. Booth, John Stokes, and Susan Bassnett (review)

Anne Russell
pp. 322-326
DOI: https://doi.org/10.1353/cdr.1998.0010
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An Introduction to Post-Colonial Theatre by Brian Crow and Chris Banfield (review)

Janet V. Haedicke
pp. 307-310
DOI: https://doi.org/10.1353/cdr.1998.0013
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