1. The Confusions of Gallathea: John Lyly as Popular Dramatist
  2. Kent Cartwright
  3. pp. 207-239
  4. DOI: 10.1353/cdr.1998.0000
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  1. Pirandello, the Sacred, and the Death of Tragedy
  2. Nina daVinci Nichols
  3. pp. 240-251
  4. DOI: 10.1353/cdr.1998.0008
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  1. Walls and Scaffolds: Pictorial and Dramatic Passion Cycles in the Duchy of Savoy
  2. Véronique Plesch
  3. pp. 252-290
  4. DOI: 10.1353/cdr.1998.0016
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  1. English Drama 1660-1700 by Derek Hughes (review)
  2. Michael Cordner
  3. pp. 291-293
  4. DOI: 10.1353/cdr.1998.0023
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  1. The Medieval Theater in Castile by Charlotte Stern (review)
  2. Manuel J. Gómez-Lara
  3. pp. 293-297
  4. DOI: 10.1353/cdr.1998.0030
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  1. Thomas Arden in Faversham: The Man Behind the Myth by Patricia Hyde (review)
  2. M. L. Stapleton
  3. pp. 302-304
  4. DOI: 10.1353/cdr.1998.0046
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  1. Shakespeare East and West ed. by Minoru Fujita and Leonard Pronko (review)
  2. Ralph Berry
  3. pp. 304-306
  4. DOI: 10.1353/cdr.1998.0005
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  1. Theatre and Feminist Aesthetics ed. by Karen Laughlin and Catherine Schuler (review)
  2. Regula Meyer Evitt
  3. pp. 314-315
  4. DOI: 10.1353/cdr.1998.0028
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  1. "Household Business": Domestic Plays of Early Modern England by Viviana Comensoli (review)
  2. Greg Walker
  3. pp. 316-317
  4. DOI: 10.1353/cdr.1998.0035
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  1. English Parish Drama ed. by Alexandra F. Johnston and Wim Hüsken (review)
  2. Margaret Rogerson
  3. pp. 317-320
  4. DOI: 10.1353/cdr.1998.0043
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  1. Shakespeare Manipulated: The Use of the Dramatic Works of Shakespeare in teatro di figura in Italy by Susan Young (review)
  2. Doc Rossi
  3. pp. 320-322
  4. DOI: 10.1353/cdr.1998.0002
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  1. Three Tragic Actresses: Siddons, Rachel, Ristori by Michael R. Booth, John Stokes, and Susan Bassnett (review)
  2. Anne Russell
  3. pp. 322-326
  4. DOI: 10.1353/cdr.1998.0010
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  1. An Introduction to Post-Colonial Theatre by Brian Crow and Chris Banfield (review)
  2. Janet V. Haedicke
  3. pp. 307-310
  4. DOI: 10.1353/cdr.1998.0013
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