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Table of Contents

  1. Page 2
  2. Charles B. Harris
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2006.0007
  5. restricted access
  1. Rants & Raves: Letter to the Editors
  2. Diana L. Nicolae
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2006.0012
  5. restricted access
  1. Picketing the Zeitgeist: Croesus and Crisis
  2. F. D. Reeve
  3. pp. 3-15
  4. DOI: https://doi.org/10.1353/abr.2006.0017
  5. restricted access
  1. Good Timing
  2. John Beer
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/abr.2006.0025
  5. restricted access
  1. Laughter in the Confessional
  2. Carol Quinn
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2006.0001
  5. restricted access
  1. Leaps and Bound Logic
  2. Holly Welker
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.2006.0005
  5. restricted access
  1. A Ballet (or Salvos) of the Anti-Real
  2. Gary Hawkins
  3. p. 8
  4. DOI: https://doi.org/10.1353/abr.2006.0010
  5. restricted access
  1. Ordered Whimsy
  2. Jennifer Hancock
  3. p. 9
  4. DOI: https://doi.org/10.1353/abr.2006.0015
  5. restricted access
  1. Rescuing Poetry
  2. Matthew Guenette
  3. p. 10
  4. DOI: https://doi.org/10.1353/abr.2006.0019
  5. restricted access
  1. Climbing Sylvester's Ladder
  2. Bill Porter
  3. p. 11
  4. DOI: https://doi.org/10.1353/abr.2006.0023
  5. restricted access
  1. The Sybil of Rome
  2. Christopher Bakken
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2006.0027
  5. restricted access
  1. Falling Upward
  2. Stephanie Rauschenbusch
  3. pp. 13-14
  4. DOI: https://doi.org/10.1353/abr.2006.0003
  5. restricted access
  1. Obsessions
  2. Michael Benigni
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.2006.0008
  5. restricted access
  1. Self and the City
  2. Fred Muratori
  3. pp. 16-17
  4. DOI: https://doi.org/10.1353/abr.2006.0013
  5. restricted access
  1. Meeting Ourselves
  2. Lem Coley
  3. pp. 17-18
  4. DOI: https://doi.org/10.1353/abr.2006.0018
  5. restricted access
  1. Breaking Down the Boundaries
  2. Paula Koneazny
  3. pp. 18-19
  4. DOI: https://doi.org/10.1353/abr.2006.0022
  5. restricted access
  1. Burgin's World
  2. Tom Williams
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/abr.2006.0026
  5. restricted access
  1. Preaching to the Choir
  2. Fred Shochet
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2006.0002
  5. restricted access
  1. The Heart's Geography
  2. Regina Weinreich
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2006.0006
  5. restricted access
  1. What the Dead Play
  2. Garin Cycholl
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2006.0011
  5. restricted access
  1. Varieties of Genteel Possibility
  2. John Domini
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2006.0016
  5. restricted access
  1. Amazing Grace
  2. Giles Harvey
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2006.0020
  5. restricted access
  1. Unreliably Yours
  2. Dorian Gossy
  3. p. 24
  4. DOI: https://doi.org/10.1353/abr.2006.0024
  5. restricted access
  1. The Slush Pile: At the London Book Fair
  2. Alain Arias-Misson
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/abr.2006.0000
  5. restricted access
  1. Marianne Hauser: 1910-2006
  3. p. 26
  4. DOI: https://doi.org/10.1353/abr.2006.0004
  5. restricted access
  1. Backlist: Little Alleluias
  2. Thomas March
  3. p. 27
  4. DOI: https://doi.org/10.1353/abr.2006.0009
  5. restricted access
  1. Index: Volume 27, 2005-2006
  3. pp. 28-31
  4. DOI: https://doi.org/10.1353/abr.2006.0014
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  1. Introduction to Focus: But Seriously, Folks...: A Few Words on Wit
  2. Michael Theune
  3. p. 4
  4. DOI: https://doi.org/10.1353/abr.2006.0021
  5. restricted access