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Table of Contents

  1. Page 2
  2. Kass Fleisher
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2006.0117
  5. restricted access
  1. A force de la nature
  2. Pierre Joris
  3. pp. 3-4
  4. DOI: https://doi.org/10.1353/abr.2006.0090
  5. restricted access
  1. The Violence of Inattention
  2. Andrew Levy
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/abr.2006.0096
  5. restricted access
  1. Conductivities of Composition
  2. Sandy Baldwin
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2006.0102
  5. restricted access
  1. Difficult Made Human
  2. Sheila E. Murphy
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.2006.0108
  5. restricted access
  1. Close Reading Redux
  2. V. Nicholas LoLordo
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/abr.2006.0114
  5. restricted access
  1. What We Do to a Poem
  2. Michael Magee
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/abr.2006.0121
  5. restricted access
  1. A Poetics of Discovery
  2. Mark McMorris
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2006.0088
  5. restricted access
  1. Silences of Formality
  2. Elizabeth Robinson
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.2006.0094
  5. restricted access
  1. War by Other Means
  2. Roger Mitchell
  3. pp. 12-13
  4. DOI: https://doi.org/10.1353/abr.2006.0100
  5. restricted access
  1. To Speak Is to Forget
  2. Alan Sondheim
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2006.0106
  5. restricted access
  1. Exploration Imagery
  2. Miranda F. Mellis
  3. p. 14
  4. DOI: https://doi.org/10.1353/abr.2006.0112
  5. restricted access
  1. Navigating Performance
  2. Kevin Finucane
  3. p. 15
  4. DOI: https://doi.org/10.1353/abr.2006.0119
  5. restricted access
  1. Distance Mapped
  2. Holly L. Baumgartner
  3. pp. 16-17
  4. DOI: https://doi.org/10.1353/abr.2006.0126
  5. restricted access
  1. Steering through Provinces
  2. Selah Saterstrom
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2006.0092
  5. restricted access
  1. Hybrid Nation
  2. Fred Gardaphé
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2006.0098
  5. restricted access
  1. Ethnic Ambivalence
  2. Thomas DePietro
  3. p. 19
  4. DOI: https://doi.org/10.1353/abr.2006.0104
  5. restricted access
  1. Show: Twenty Years of Granary Books
  2. Nikki Widner
  3. p. 20
  4. DOI: https://doi.org/10.1353/abr.2006.0110
  5. restricted access
  1. Staples: Scott Inguito's lection (Subday Press)
  2. Sara M. Larsen
  3. pp. 20-39
  4. DOI: https://doi.org/10.1353/abr.2006.0116
  5. restricted access
  1. 'Vent: Small Press Traffic's Poets Theater Jamboree
  2. Kyle Kaufman
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2006.0123
  5. restricted access
  1. Blog: www.long-sunday.net
  2. Michael Joyce
  3. p. 21
  4. DOI: https://doi.org/10.1353/abr.2006.0089
  5. restricted access
  1. Peace at the Posthuman Games
  2. Stuart Moulthrop
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2006.0095
  5. restricted access
  1. A Dark and Windy City
  2. Stacey Levine
  3. p. 24
  4. DOI: https://doi.org/10.1353/abr.2006.0101
  5. restricted access
  1. Trick Questions
  2. Kevin Killian
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2006.0107
  5. restricted access
  1. Dirty-Root-Hairs-Raw
  2. Laura Wright
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/abr.2006.0113
  5. restricted access
  1. Hip Invention
  2. John Domini
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2006.0120
  5. restricted access
  1. Ordinary Skeptic
  2. Bruce King
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2006.0087
  5. restricted access
  1. Pushing Buttons
  2. Mark DuCharme
  3. pp. 28-29
  4. DOI: https://doi.org/10.1353/abr.2006.0093
  5. restricted access
  1. Exeunt Collaborations
  2. Lauren Pretnar
  3. pp. 29-30
  4. DOI: https://doi.org/10.1353/abr.2006.0099
  5. restricted access
  1. Gysin the THERE
  2. Davis Schneiderman
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2006.0105
  5. restricted access
  1. The Personal Trauma That Is History
  2. Patrick Pritchett
  3. p. 31
  4. DOI: https://doi.org/10.1353/abr.2006.0111
  5. restricted access
  1. Steel Is Made Flesh
  2. Matt Samet
  3. p. 32
  4. DOI: https://doi.org/10.1353/abr.2006.0118
  5. restricted access
  1. The New Old World
  2. Carl Glenn
  3. pp. 32-33
  4. DOI: https://doi.org/10.1353/abr.2006.0125
  5. restricted access
  1. "Deepest at Its Surface"
  2. Catherine Daly
  3. p. 34
  4. DOI: https://doi.org/10.1353/abr.2006.0091
  5. restricted access
  1. New Arts of Being
  2. Steve Tomasula
  3. pp. 35-36
  4. DOI: https://doi.org/10.1353/abr.2006.0097
  5. restricted access
  1. Exploding the Object
  2. Martin Patrick
  3. p. 36
  4. DOI: https://doi.org/10.1353/abr.2006.0103
  5. restricted access
  1. R M Berry Answers Joseph Tabbi
  2. R M Berry
  3. pp. 37-38
  4. DOI: https://doi.org/10.1353/abr.2006.0109
  5. restricted access
  1. Joseph Tabbi Answers R M Berry
  2. Joseph Tabbi
  3. p. 38
  4. DOI: https://doi.org/10.1353/abr.2006.0115
  5. restricted access
  1. Backlist: Chop Wood, Carry Water
  2. Chris Murray
  3. p. 39
  4. DOI: https://doi.org/10.1353/abr.2006.0122
  5. restricted access
  1. Introduction to Focus: Poetics: Demonstrations For and Against
  2. Joe Amato
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2006.0124
  5. restricted access