1. Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music
  2. Ben Neill
  3. pp. 3-6
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  1. Machines of Joy: I Have Seen the Future and It Is Squiggly
  2. David Byrne
  3. pp. 7-10
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  1. Human Bodies, Computer Music
  2. Bob Ostertag
  3. pp. 11-14
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  1. Electric Body Manipulation as Performance Art: A Historical Perspective
  2. Arthur Elsenaar, Remko Scha
  3. pp. 17-28
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  1. Some Sadomasochistic Aspects of Musical Pleasure
  2. Reinhold Friedl
  3. pp. 29-30
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  1. I Know It's Only Noise but I Like It: Scattered Notes on the Pleasures of Experimental Improvised Music
  2. Ricardo Arias
  3. pp. 31-32
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  1. A Graph Topological Representation of Melody Scores
  2. L. Peusner
  3. pp. 33-40
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  1. That's Comish Music! Mutant Sounds
  2. Frieder Butzmann
  3. p. 41
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  1. Playpens, Fireflies and Squeezables: New Musical Instruments for Bridging the Thoughtful and the Joyful
  2. Gil Weinberg
  3. pp. 43-51
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  1. Eine Kleine Naughtmusik: How Nefarious Nonartists Cleverly Imitate Music
  2. David Soldier
  3. pp. 53-58
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  1. The Sheer Frost Orchestra: A Nail Polish Bottle, A Guitar String and the Birth of an Orchestra
  2. Marina Rosenfeld
  3. pp. 59-61
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  1. Techno, Trance and the Modern Chamber Choir: Intellectual Game or Music to Groove to?
  2. Robert Wilsmore
  3. pp. 61-63
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  1. Sounding the Ritual of Sensual Rebellion: Pacific-European Resonances
  2. Bruce Crossman
  3. pp. 63-65
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  1. The Red Bus Stops Here
  2. Amnon Wolman
  3. pp. 65-66
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  1. A Nonmusician's Life in Music
  2. Yale Evelev
  3. pp. 67-69
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  1. The Psychoacoustics of Mono
  2. Robert Poss
  3. p. 71
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  1. Final Note: Pleasure Has an Opposite, or Somewhere over Whose Rainbow?
  2. David Rosenboom
  3. pp. 73-78
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  1. Comment on "The Development of Electroacoustic Music in Colombia, 1965-1999" ( Leonardo Music Journal 10, 2000)
  2. Ana Maria Romano
  3. pp. 89-90
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  1. Response
  2. Cuellar Camargo, Lucio Edilberto
  3. pp. 90-91
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  1. LMJ11 Photo Caption
  2. Nicolas Collins
  3. p. 91
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  1. 2002 Author Index: Leonardo Volume 35 and Leonardo Music Journal Volume 12
  3. pp. 93-97
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  1. Introduction: Thoughtful Pleasures
  2. Nicolas Collins
  3. pp. 1-2
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