1. The Influence of Recording Technologies on the Early Development of Electroacoustic Music
  2. Peter Manning
  3. pp. 5-10
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  1. John Cage and Recording
  2. Yasunao Tone
  3. pp. 11-15
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  1. Christian Marclay's Early Years: An Interview
  2. Christian Marclay, Douglas Kahn
  3. pp. 17-21
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  1. Recursive Audio Cutting
  2. Nick Collins
  3. pp. 23-29
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  1. The Music of the Sphere: An Investigation into Asymptotic Harmonics, Brainwave Entrainment and the Earth as a Giant Bell
  2. David First
  3. pp. 31-37
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  1. Regenerative Feedback in the Medium of Radio: Study 1.0 (FM) for Radio Transceiver
  2. Matthew Burtner
  3. pp. 39-42
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  1. Artist's Notebook: TOHU BOHU: Considerations on the nature of noise, in 78 fragments
  2. Guy-Marc Hinant, Michael Novy
  3. pp. 43-46
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  1. Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval
  2. Caleb Stuart
  3. pp. 47-52
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  1. Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation
  2. Alvaro Barbosa
  3. pp. 53-59
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  1. Hand-Luggage: For a Generative Theory of Artifacts
  2. Holger Schulze
  3. pp. 61-65
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  1. Early Musical Impressions from Both Sides of the Loudspeaker
  2. Sergio Freire
  3. pp. 67-71
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  1. Recursive Audio Systems: Acoustic Feedback in Composition
  2. Christopher Burns, Matthew Burtner
  3. p. 73
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  1. Performance Space Meets Cyberspace: Seeking the Creative Idiom and Technical Model for Live Music on Broadband
  2. Michael Bussiere
  3. pp. 73-74
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  1. The Gallbladder Sonata : Transmission Time on the Internet
  2. Marlena G. Corcoran
  3. p. 74
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  1. Mediating (through) Imagination: Web-Based Sound Art
  2. Trace Reddell
  3. pp. 74-75
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  1. Turn/Stile: Interpreting Udo Kasemets' CaleNdarON for a Single Turntable with Treatment and Surfaces
  2. Tobias C. van Veen
  3. pp. 75-76
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  1. Tracklist and Credits
  2. Philip Sherburne
  3. p. 78
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  1. 2003 Author Index: Leonardo Volume 36 and Leonardo Music Journal Volume 13
  2. pp. 89-92
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  1. Leonardo Network News
  2. pp. 93-94
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  1. Introduction: Groove, Pit and Wave
  2. Nicolas Collins
  3. pp. 1-3
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  1. CD Companion Introduction: Splitting Bits, Closing Loops: Sound on Sound
  2. Philip Sherburne
  3. pp. 79-81
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  1. Splitting Bits, Closing Loops: Sound on Sound: Contributors' Notes
  2. pp. 83-87
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