1. Shakespeare Right and Wrong
  2. Irene Rima Makaryk
  3. pp. 153-163
  4. DOI: 10.1353/tj.1998.0046
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  1. The Intimate Theatre: Shakespeare Teaches Strindberg Theatrical Modernism
  2. Inga Stina Ewbank
  3. pp. 165-174
  4. DOI: 10.1353/tj.1998.0041
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  1. Shakespeare and Cultural Tourism
  2. Dennis Kennedy
  3. pp. 175-188
  4. DOI: 10.1353/tj.1998.0044
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  1. From Dream to Machine: Peter Brook, Robert Lepage, and the Contemporary Shakespearean Director as (Post) Modernist
  2. Richard Paul Knowles
  3. pp. 189-206
  4. DOI: 10.1353/tj.1998.0045
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  1. Replicating Richard: Body Doubles, Body Politics
  2. Barbara Hodgdon
  3. pp. 207-225
  4. DOI: 10.1353/tj.1998.0043
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  1. Doctoral Projects in Progress in Theatre Arts, 1998
  2. Philip G. Hill
  3. pp. 227-232
  4. DOI: 10.1353/tj.1998.0042
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  1. Hamletas (review)
  2. Marvin A. Carlson
  3. pp. 233-234
  4. DOI: 10.1353/tj.1998.0058
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  1. Hamlet (review)
  2. Sarah J. Rudolph
  3. pp. 234-237
  4. DOI: 10.1353/tj.1998.0059
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  1. Elsinore (review)
  2. Tamsen Wolff
  3. pp. 237-240
  4. DOI: 10.1353/tj.1998.0051
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  1. Richard III (review)
  2. Judith Dunbar
  3. pp. 240-242
  4. DOI: 10.1353/tj.1998.0060
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  1. Macbeth (review)
  2. Kit Baker
  3. pp. 242-246
  4. DOI: 10.1353/tj.1998.0062
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  1. Dommage Qu'elle Soit une Putain ('Tis Pity She's a Whore) (review)
  2. Alan Shepard
  3. pp. 246-248
  4. DOI: 10.1353/tj.1998.0048
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  1. Tartuffe (review)
  2. Rosette C. Lamont
  3. pp. 249-251
  4. DOI: 10.1353/tj.1998.0055
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  1. The School for Wives (review)
  2. James Patrick Carmody
  3. pp. 251-252
  4. DOI: 10.1353/tj.1998.0056
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  1. The Reluctant Lovers (review)
  2. Marion Peter Holt
  3. pp. 252-254
  4. DOI: 10.1353/tj.1998.0057
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  1. One Flea Spare (review)
  2. William Over
  3. pp. 254-257
  4. DOI: 10.1353/tj.1998.0063
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  1. The Cripple of Inishmaan, and: Tarry Flynn (review)
  2. Michael Charles O'Neill
  3. pp. 257-260
  4. DOI: 10.1353/tj.1998.0053
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  1. The Father (review)
  2. Henrik Borgstrom
  3. pp. 261-262
  4. DOI: 10.1353/tj.1998.0061
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  1. Berlin Theatertreffen (review)
  2. Thomas T. Apple
  3. pp. 262-266
  4. DOI: 10.1353/tj.1998.0049
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  1. Concert d'eau pour jardin d'hiver (review)
  2. Cynthia J. Totten, Katherine Sanderlin
  3. pp. 267-268
  4. DOI: 10.1353/tj.1998.0054
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  1. Mugger Music (review)
  2. Ginger Gail Strand
  3. pp. 268-270
  4. DOI: 10.1353/tj.1998.0047
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  1. Tell-Tale (review)
  2. Richard Niles
  3. pp. 270-272
  4. DOI: 10.1353/tj.1998.0050
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  1. The Stage Designs of Inigo Jones: The European Context (review)
  2. Franklin J. Hildy
  3. pp. 273-274
  4. DOI: 10.1353/tj.1998.0039
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  1. From Acting to Performance: Essays in Modernism and Postmodernism (review)
  2. Sharon Mazer
  3. pp. 274-275
  4. DOI: 10.1353/tj.1998.0034
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  1. Analysing Performance: A Critical Reader (review)
  2. Lesley Ferris
  3. pp. 275-276
  4. DOI: 10.1353/tj.1998.0036
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  1. Ecologies of Theater (review)
  2. Fernando M. Oliveira
  3. pp. 276-277
  4. DOI: 10.1353/tj.1998.0065
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  1. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina's "Dirty War" (review)
  2. David Román
  3. pp. 277-279
  4. DOI: 10.1353/tj.1998.0040
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  1. Inside the Drama-House: Rama Stories and Shadow Puppets in South India (review)
  2. Glenn Becker
  3. pp. 282-283
  4. DOI: 10.1353/tj.1998.0035
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  1. Masked Performance: the Play of Self and Other in Ritual and Theatre (review)
  2. David Kilpatrick
  3. pp. 283-284
  4. DOI: 10.1353/tj.1998.0064
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  1. A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage (review)
  2. Herbert Sennett
  3. pp. 284-286
  4. DOI: 10.1353/tj.1998.0038
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  1. Amazon All Stars: Thirteen Lesbian Plays with Essays and Interviews (review)
  2. Sarah Bay-Cheng
  3. pp. 286-287
  4. DOI: 10.1353/tj.1998.0037
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  1. Style: Acting in High Comedy, and: Acting with Shakespeare: Three Comedies (review)
  2. Janet L. Gupton
  3. pp. 287-288
  4. DOI: 10.1353/tj.1998.0033
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  1. Comment
  2. Susan Bennett
  3. pp. iv-v
  4. DOI: 10.1353/tj.1998.0052
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