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In this Issue

Table of Contents

  1. Barbarians at the Gates: The Invasive Discourse of Medieval Performance in Lope's Arte nuevo
  2. Bruce R. Burningham
  3. pp. 289-302
  4. DOI: https://doi.org/10.1353/tj.1998.0083
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  1. The Platform Versus the Stage: Circuit Chautauqua's Antitheatrical Theatre
  2. Charlotte Canning
  3. pp. 303-318
  4. DOI: https://doi.org/10.1353/tj.1998.0084
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  1. Fuhrmann Henschel and the Ruins of Realism
  2. Robert F. Gross
  3. pp. 319-334
  4. DOI: https://doi.org/10.1353/tj.1998.0067
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  1. Freedom as Passion: Sartre's Mystery Plays
  2. John Ireland
  3. pp. 335-348
  4. DOI: https://doi.org/10.1353/tj.1998.0085
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  1. Incidents of Theatre in Chiapas, Tabasco, and Yucatan: Cultural Enactments in Mayan Mexico
  2. Tamara L. Underiner
  3. pp. 349-369
  4. DOI: https://doi.org/10.1353/tj.1998.0097
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  1. Peformance Review: Hydriotaphia, or the Death of Dr. Browne
  2. James Fisher
  3. pp. 371-372
  4. DOI: https://doi.org/10.1353/tj.1998.0092
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  1. Peformance Review: The Gene Pool
  2. Stacy Ellen Wolf
  3. pp. 372-374
  4. DOI: https://doi.org/10.1353/tj.1998.0096
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  1. Peformance Review: Menopausal Gentleman
  2. Marcia L. Ferguson
  3. pp. 374-375
  4. DOI: https://doi.org/10.1353/tj.1998.0095
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  1. Peformance Review: Private Lives
  2. Maya E. Roth
  3. pp. 375-377
  4. DOI: https://doi.org/10.1353/tj.1998.0091
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  1. Peformance Review: Culture of Desire
  2. Jack Goodstein
  3. pp. 377-378
  4. DOI: https://doi.org/10.1353/tj.1998.0088
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  1. Peformance Review: Mr. Bundy
  2. Claudia Barnett
  3. p. 379
  4. DOI: https://doi.org/10.1353/tj.1998.0093
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  1. Peformance Review: House/Lights
  2. Woodrow Hood, Cynthia Gendrich
  3. pp. 380-382
  4. DOI: https://doi.org/10.1353/tj.1998.0098
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  1. Peformance Review: Ah, Wilderness!, and: The Emperor Jones
  2. Zander Brietzke
  3. pp. 382-385
  4. DOI: https://doi.org/10.1353/tj.1998.0094
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  1. Peformance Review: Der Fensterputzer
  2. Brian Kloppenberg
  3. pp. 385-386
  4. DOI: https://doi.org/10.1353/tj.1998.0086
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  1. Peformance Review: IX Cairo International Festival for Experimental Theatre
  2. Holly Hill
  3. pp. 387-389
  4. DOI: https://doi.org/10.1353/tj.1998.0089
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  1. Peformance Review: The 1997 BITEF Festival
  2. Dennis Barnett
  3. pp. 389-394
  4. DOI: https://doi.org/10.1353/tj.1998.0087
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  1. Peformance Review: Three Sisters
  2. Scott T. Cummings
  3. pp. 394-396
  4. DOI: https://doi.org/10.1353/tj.1998.0090
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  1. West End Women: Women and the London Stage 1918-1962 (review)
  2. Katherine E. Kelly
  3. pp. 397-398
  4. DOI: https://doi.org/10.1353/tj.1998.0073
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  1. Playwrights and Plagiarists in Early Modern England: Gender, Authorship, Literary Property (review)
  2. Barbara Mackey
  3. pp. 398-399
  4. DOI: https://doi.org/10.1353/tj.1998.0080
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  1. Performing Brecht: Forty Years of British Performances (review)
  2. Meenakshi Ponnuswami
  3. pp. 400-401
  4. DOI: https://doi.org/10.1353/tj.1998.0072
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  1. Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio (review)
  2. Steven H. Gale
  3. pp. 401-402
  4. DOI: https://doi.org/10.1353/tj.1998.0076
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  1. A Sociocritique of Translation: Theatre and Alterity in Quebec, 1968-1988 (review)
  2. Erin Hurley
  3. pp. 402-403
  4. DOI: https://doi.org/10.1353/tj.1998.0070
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  1. Beaumarchais and the Theatre (review)
  2. James Patrick Carmody
  3. pp. 403-405
  4. DOI: https://doi.org/10.1353/tj.1998.0077
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  1. Experimental Theatre: Creating and Staging Texts, and: Performance Anxieties: Staging Psychoanalysis, Staging Race (review)
  2. Lara E. Dieckmann
  3. pp. 407-409
  4. DOI: https://doi.org/10.1353/tj.1998.0082
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  1. In Contact with the Gods?: Directors Talk Theatre; In Other Words: Women Directors Speak, and: In Other Words: Women Directors Speak (review)
  2. David J. Lemaster
  3. pp. 409-411
  4. DOI: https://doi.org/10.1353/tj.1998.0071
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  1. Actors on Guard: A Practical Guide for the Use of the Rapier and Dagger for Stage and Screen (review)
  2. Dennis R. Henneman
  3. pp. 411-412
  4. DOI: https://doi.org/10.1353/tj.1998.0074
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  1. Writing Wrongs: The Work of Wallace Shawn (review)
  2. Beth Schachter
  3. pp. 412-413
  4. DOI: https://doi.org/10.1353/tj.1998.0078
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  1. Theatre Culture in America, 1825-1860 (review)
  2. Ginger Gail Strand
  3. pp. 413-414
  4. DOI: https://doi.org/10.1353/tj.1998.0069
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  1. The Emergence of the Modern American Theater, 1914-1929 (review)
  2. Dorothy Chansky
  3. pp. 415-416
  4. DOI: https://doi.org/10.1353/tj.1998.0081
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  1. Comment
  2. Loren Kruger
  3. pp. ii-iii
  4. DOI: https://doi.org/10.1353/tj.1998.0079
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  1. The Theater of the Bauhaus, and: Signs of Performance: An Introduction to Twentieth-Century Theatre (review)
  2. Dean Wilcox
  3. pp. 405-407
  4. DOI: https://doi.org/10.1353/tj.1998.0075
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  1. Books Received
  3. pp. 416-420
  4. DOI: https://doi.org/10.1353/tj.1998.0068
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