1. "Raising the Roof": Authors, Spectators and Artisans in the Grand Federal Procession of 1788
  2. Laura Rigal
  3. pp. 253-277
  4. DOI: 10.1353/tj.1996.0065
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  1. The Sioux War Panorama and American Mythic History
  2. John Bell
  3. pp. 279-299
  4. DOI: 10.1353/tj.1996.0049
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  1. Street Fairs: Social Space, Social Performance
  2. Jeffrey D. Mason
  3. pp. 301-319
  4. DOI: 10.1353/tj.1996.0063
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  1. Immigrant Popular Culture as Contested Sphere: Yiddish Music Halls, the Yiddish Press, and the Processes of Americanization, 1900-1910
  2. Nina Warnke
  3. pp. 321-335
  4. DOI: 10.1353/tj.1996.0073
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  1. Civic Play-Housekeeping: Gender, Theatre and American Reform
  2. Shannon Jackson
  3. pp. 337-361
  4. DOI: 10.1353/tj.1996.0062
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  1. Four Saints in Three Acts (review)
  2. Katherine E. Kelly
  3. pp. 363-365
  4. DOI: 10.1353/tj.1996.0072
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  1. Alice (review)
  2. Robert Vorlicky
  3. pp. 365-367
  4. DOI: 10.1353/tj.1996.0075
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  1. An Epidog (review)
  2. Tamsen Wolff
  3. pp. 367-370
  4. DOI: 10.1353/tj.1996.0064
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  1. Tartuffe (review)
  2. Judith Graves Miller
  3. pp. 370-371
  4. DOI: 10.1353/tj.1996.0069
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  1. The Hunchback of Notre-Dame (review)
  2. Beth M. Cleary
  3. pp. 372-374
  4. DOI: 10.1353/tj.1996.0067
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  1. S/M, and: The Libertine (review)
  2. Elizabeth J. Montgomery
  3. pp. 374-377
  4. DOI: 10.1353/tj.1996.0074
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  1. Quartet (review)
  2. Carl Weber
  3. pp. 377-379
  4. DOI: 10.1353/tj.1996.0070
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  1. Dans la solitude des champs de coton (review)
  2. David Pelizzari
  3. pp. 379-381
  4. DOI: 10.1353/tj.1996.0068
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  1. Mortal Sins (review)
  2. Christopher C. Newton
  3. pp. 381-383
  4. DOI: 10.1353/tj.1996.0066
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  1. The Tempest (review)
  2. Nora Johnson
  3. pp. 383-386
  4. DOI: 10.1353/tj.1996.0071
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  1. Negotiating Performance: Gender, Sexuality and Theatricality in Latina/o America, and: El Teatro Campesino: Theater in the Chicano Movement, and: !Teatro Hispano! Three Major New York Companies (review)
  2. Lara D. Nielsen
  3. pp. 387-389
  4. DOI: 10.1353/tj.1996.0059
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  1. The Magic World Behind the Curtain: Andrei Serban in the American Theatre (review)
  2. Kazimierz Braun
  3. pp. 390-391
  4. DOI: 10.1353/tj.1996.0057
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  1. Performing Nostalgia: Shifting Shakespeare and the Contemporary Past (review)
  2. William B. Worthen
  3. pp. 391-392
  4. DOI: 10.1353/tj.1996.0051
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  1. As She Likes It: Shakespeare's Unruly Women (review)
  2. Maryclaire Moroney
  3. pp. 392-393
  4. DOI: 10.1353/tj.1996.0053
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  1. The Oxford Illustrated History of Theatre (review)
  2. Felicia Hardison Londré
  3. pp. 394-395
  4. DOI: 10.1353/tj.1996.0052
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  1. The Recurrence of Fate: Studies in Theatre History and Culture (review)
  2. Julia Listengarten
  3. pp. 395-396
  4. DOI: 10.1353/tj.1996.0054
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  1. Plays by French and Francophone Women (review)
  2. Kevin Elstob
  3. pp. 397-398
  4. DOI: 10.1353/tj.1996.0056
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  1. Woman's Theatrical Space, and: Theatre and Feminist Aesthetics (review)
  2. Susan C. Haedicke
  3. pp. 398-400
  4. DOI: 10.1353/tj.1996.0058
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  1. Acting (Re)Considered (review)
  2. Seth Baumrin
  3. pp. 400-401
  4. DOI: 10.1353/tj.1996.0060
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  1. The Aesthetics of Disturbance: Anti-Art in Avante-Garde Drama (review)
  2. Mei-ling Cheng
  3. pp. 401-403
  4. DOI: 10.1353/tj.1996.0055
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  1. Comment
  2. Loren Kruger
  3. pp. ii-iii
  4. DOI: 10.1353/tj.1996.0061
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  1. Books Received
  3. pp. 403-406
  4. DOI: 10.1353/tj.1996.0050
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