1. Marked with Red Ink
  2. Dubravka Knezevic
  3. pp. 407-418
  4. DOI: 10.1353/tj.1996.0076
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  1. Divadlo Husa na Provazku and the "Absence" of Czech Community
  2. Dennis C. Beck
  3. pp. 419-441
  4. DOI: 10.1353/tj.1996.0077
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  1. Textualizing Trauma: From Valesa to Kosciuszko in Polish Theatre of the 1980s
  2. Halina Filipowicz
  3. pp. 443-460
  4. DOI: 10.1353/tj.1996.0082
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  1. Theatre's Lean Years in Free Poland
  2. Elzbieta Baniewicz, Joanna Dutkiewicz
  3. pp. 461-478
  4. DOI: 10.1353/tj.1996.0078
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  1. Hot Blood and Black Pearls: Socialism, Society, and Authenticity at the Moscow Teatr Romen
  2. Alaina Lemon
  3. pp. 479-494
  4. DOI: 10.1353/tj.1996.0086
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  1. Pax Bosnensis (review)
  2. Sonja Kuftinec
  3. pp. 495-496
  4. DOI: 10.1353/tj.1996.0088
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  1. The Legend About the End of the World (review)
  2. Linda Almar Caldwell
  3. pp. 496-498
  4. DOI: 10.1353/tj.1996.0090
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  1. A Man's a Man (review)
  2. Aleksandra Djuricic
  3. pp. 498-499
  4. DOI: 10.1353/tj.1996.0092
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  1. Exhumation [Grzebanie], and: Forefathers' Eve: Twelve Improvisations [Dziady: Dwanascie Improwizacji] (review)
  2. Wojciech Szulczynski
  3. pp. 499-503
  4. DOI: 10.1353/tj.1996.0093
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  1. Berliner Theatertreffen (review)
  2. Daniel Mufson
  3. pp. 503-507
  4. DOI: 10.1353/tj.1996.0094
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  1. The Cherry Orchard, and: The Wedding (review)
  2. Henrik Borgstrom
  3. pp. 507-510
  4. DOI: 10.1353/tj.1996.0097
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  1. The Fairground Booth (review)
  2. Telory Williamson
  3. pp. 511-512
  4. DOI: 10.1353/tj.1996.0096
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  1. Bed & Sofa (review)
  2. Steven Drukman
  3. pp. 512-514
  4. DOI: 10.1353/tj.1996.0098
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  1. The Madman and the Nun (review)
  2. Helena M. White
  3. pp. 514-516
  4. DOI: 10.1353/tj.1996.0099
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  1. A Dybbuk, Or Between Two Worlds (review)
  2. Joel G. Fink
  3. pp. 516-517
  4. DOI: 10.1353/tj.1996.0095
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  1. Meyerhold: A Revolution in Theatre, and: Meyerhold, Eisenstein and Biomechanics: Actor Training in Revolutionary Russia (review)
  2. Christine Olga Kiebuzinska
  3. pp. 519-521
  4. DOI: 10.1353/tj.1996.0079
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  1. At Work with Grotowski on Physical Actions (review)
  2. Gail Lerner
  3. pp. 521-522
  4. DOI: 10.1353/tj.1996.0089
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  1. After Brecht: British Epic Theater (review)
  2. Amelia Howe Kritzer
  3. pp. 525-526
  4. DOI: 10.1353/tj.1996.0087
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  1. Pirandello and Film (review)
  2. Piero Garofalo
  3. pp. 526-527
  4. DOI: 10.1353/tj.1996.0085
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  1. Recovering Shakespeare's Theatrical Vocabulary, and: Shakespeare, Theory, and Performance (review)
  2. Anthony Graham-White
  3. pp. 527-529
  4. DOI: 10.1353/tj.1996.0080
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  1. The Crucible CD-ROM, and: Macbeth by William Shakespeare (review)
  2. Joe Calarco
  3. pp. 529-531
  4. DOI: 10.1353/tj.1996.0084
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  1. Getting into the Act: Women Playwrights in London, 1776-1829 (review)
  2. Sherry D. Engle
  3. pp. 531-533
  4. DOI: 10.1353/tj.1996.0081
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  1. Imperialism and Theatre (review)
  2. E. J. Westlake
  3. pp. 533-534
  4. DOI: 10.1353/tj.1996.0083
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