1. Cinemas of the Maghreb
  2. Roy Armes
  3. pp. 5-29
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  1. Film and Trauma: Africa Speaks to Itself through Truth and Reconciliation Films
  2. Martin Mhando, Keyan G. Tomaselli
  3. pp. 30-50
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  1. Trash and a New Approach to Cinema Engagé
  2. Kenneth W. Harrow
  3. pp. 51-69
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  1. Caribbean Cinematic Créolité
  2. Gilberto M. Blasini
  3. pp. 70-90
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  1. The Emergence of Caribbean Feature Films
  2. Bruce Paddington, Keith Q. Warner
  3. pp. 91-108
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  1. Moussa Sene Absa on finding Waru in Barbados
  2. Jane Bryce
  3. pp. 109-115
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  1. The Urban-Rural Binary in Black American Film and Culture
  2. Sheril D. Antonio
  3. pp. 116-135
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  1. Poster Gallery: Coming Attractions
  2. Mary K. Huelsbeck
  3. pp. 137-142
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  1. Charles Burnett—Consummate Cinéaste: “We, who grew up in the Civil Rights Movement, felt responsible to make our race proud.”
  2. Michael T. Martin, Eileen Julien
  3. pp. 143-170
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  1. Out of the Archive: Challenges and Opportunities for New Scholarly Access from Old Media Collections
  2. David Rowntree
  3. pp. 171-185
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  1. Butterfly McQueen Remembered (review)
  2. Edris Cooper-Anifowoshe
  3. pp. 186-188
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  1. With a Crooked Stick: The Films of Oscar Micheaux (review)
  2. David C. Wall
  3. pp. 189-191
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  1. African Americans and the Oscars: Decades of Struggle and Achievement (review)
  2. Allana Radecki
  3. pp. 191-193
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  1. Renaissance Village (review)
  2. Rika Anzawa
  3. pp. 194-196
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  1. Archival News
  2. Ina Archer
  3. pp. 197-201
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  1. Professional Notes and Research Resources
  2. pp. 202-212
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  1. Editor’s Notes
  2. Michael T. Martin
  3. pp. 1-4
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  1. Notes on Contributors
  2. pp. 213-215
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