1. Flickers of the Spirit: "Black Independent Film," Reflexive Reception, and a Blues Cinema Sublime
  2. Terri Simone Francis
  3. pp. 7-24
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  1. Josephine Baker's Colonial Pastiche
  2. Matthew Pratt Guterl
  3. pp. 25-37
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  1. Imagining Angola in Luanda with Ondjaki (Ndalu Almeida)
  2. Michael T. Martin, Marissa J. Moorman
  3. pp. 38-62
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  1. African Filmmakers' New Strategies
  2. Olivier Barlet, Thibaud Faguer-Redig
  3. pp. 63-70
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  1. Africultures Dossier
  2. pp. 63-102
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  1. From Métis to Nomadic: In Defense of African Film
  2. Olivier Barlet, Thibaud Faguer-Redig
  3. pp. 71-81
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  1. Cinema: An Audience without a Market
  2. Olivier Barlet, Thibaud Faguer-Redig
  3. pp. 81-92
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  1. Five Decades of African Film
  2. Olivier Barlet, Thibaud Faguer-Redig
  3. pp. 92-102
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  1. Poster Gallery: Coming Attractions
  2. Mary K. Huelsbeck
  3. pp. 103-110
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  1. Niamey Manifesto of African Filmmakers: First International Conference on Cinema Production in Africa, Niamey, Niger, March, 1–4, 1982
  2. pp. 111-116
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  1. Documents
  2. pp. 111-156
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  1. Fédération Panafricaine des Cinéastes: FEPACI Master Report 2009
  2. pp. 117-156
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  1. "Baad Bitches" and Sassy Supermamas: Black Power Action Films (review)
  2. Darcy L. Brandel
  3. pp. 157-159
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  1. Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and Sexuality in Film (review)
  2. Sean Desilets
  3. pp. 159-161
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  1. Black Space: Imagining Race in Science Fiction Film (review)
  2. Phil Dickinson
  3. pp. 161-163
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  1. Space is the Place (review)
  2. David C. Wall
  3. pp. 164-166
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  1. (Re)Discovering a Forgotten Film: Slaves and the Robert Kya-Hill Collection
  2. Mary K. Huelsbeck
  3. pp. 167-174
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  1. News from the Black Film Center Archives
  2. pp. 172-174
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  1. Professional Notes and Research Resources
  2. pp. 175-180
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  1. Editor's Notes
  2. Michael T. Martin
  3. pp. 1-2
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  1. Notes on Contributors
  2. pp. 181-183
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