1. Marlowe’s Boy Actors
  2. Evelyn Tribble
  3. pp. 5-17
  4. DOI: 10.1353/shb.0.0060
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  1. Marlowe’s Knifework: Threat, Caution, and Reaction in the Theatre
  2. Rick Bowers
  3. pp. 19-26
  4. DOI: 10.1353/shb.0.0063
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  1. Marlovian Echoes in the Admiral’s Men Repertory: Alcazar, Stukeley, Patient Grissil
  2. Tom Rutter
  3. pp. 27-38
  4. DOI: 10.1353/shb.0.0045
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  1. Marlowe on the Caroline Stage
  2. Lucy Munro
  3. pp. 39-50
  4. DOI: 10.1353/shb.0.0048
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  1. Marlowe Mee: Constructing the Marlowe Project
  2. Stacy Pendergraft
  3. pp. 51-62
  4. DOI: 10.1353/shb.0.0051
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  1. What happened to the Mighty Line?: Recent Marlowe Productions
  2. Lois Potter
  3. pp. 63-68
  4. DOI: 10.1353/shb.0.0054
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  1. “There is Nothin’ like a Dame”: Christopher Marlowe’s Helen of Troy at the Royal Shakespeare Company
  2. Laura Grace Godwin
  3. pp. 69-79
  4. DOI: 10.1353/shb.0.0058
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  1. Love or Politics: The Man or the King? Edward II in Modern Performance
  2. David Fuller
  3. pp. 81-115
  4. DOI: 10.1353/shb.0.0062
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  1. Edward II (review)
  2. Andrea Stevens
  3. pp. 117-122
  4. DOI: 10.1353/shb.0.0055
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  1. Tamburlaine, and: Edward II (review)
  2. Laura Grace Godwin
  3. pp. 122-131
  4. DOI: 10.1353/shb.0.0043
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  1. Julius Caesar, and: Antony and Cleopatra (review)
  2. Deborah Montuori
  3. pp. 132-138
  4. DOI: 10.1353/shb.0.0049
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  1. The King Lear Project: A Trilogy (review)
  2. Jane Wong Yeang Chui
  3. pp. 138-144
  4. DOI: 10.1353/shb.0.0050
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  1. The Comedy of Errors, and: The Winter’s Tale (review)
  2. Arnold Preussner
  3. pp. 144-152
  4. DOI: 10.1353/shb.0.0052
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  1. Shakespeare in Pittsburgh
  2. M. G. Aune
  3. pp. 152-160
  4. DOI: 10.1353/shb.0.0047
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  1. The Merchant of Venice (review)
  2. Dana E. Aspinall
  3. pp. 161-165
  4. DOI: 10.1353/shb.0.0044
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  1. Student Shakespeare at the University of Illinois, Urbana-Champaign, 2007–8
  2. Silver Damsen
  3. pp. 166-179
  4. DOI: 10.1353/shb.0.0053
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  1. ’Tis Pity She’s A Whore (review)
  2. Adrienne L. Eastwood
  3. pp. 179-183
  4. DOI: 10.1353/shb.0.0057
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  1. Romeo and Juliet (review)
  2. Philip C. Kolin
  3. pp. 183-188
  4. DOI: 10.1353/shb.0.0046
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  1. Romeo and Juliet (review)
  2. Joe Falocco
  3. pp. 188-192
  4. DOI: 10.1353/shb.0.0061
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  1. Theatre of a City: The Places of London Comedy, 1598–1642 (review)
  2. Natalie Aldred
  3. pp. 193-195
  4. DOI: 10.1353/shb.0.0059
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  1. Introduction: Marlowe the Play-maker
  2. Pierre Hecker, Roslyn L. Knutson
  3. pp. 1-4
  4. DOI: 10.1353/shb.0.0056
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