1. Silence, Rape and Politics in Measure for Measure: Close Readings in Theatre History
  2. Pascale Aebischer
  3. pp. 1-19
  4. DOI: 10.1353/shb.0.0036
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  1. “[H]urt in that service”: The Norwich Affray and Early Modern Reactions to Injuries during Dramatic Performances
  2. Kara Northway
  3. pp. 25-52
  4. DOI: 10.1353/shb.0.0039
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  1. Eyeballs and Icicles, a Swimming Pool and a Dummy: Shakespeare and The Revenger’s Tragedy on Stage in 2008
  2. Alan C. Dessen
  3. pp. 53-64
  4. DOI: 10.1353/shb.0.0042
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  1. 32 Short Thoughts About “The Glorious Moment”
  2. V.V. Montreux
  3. pp. 65-75
  4. DOI: 10.1353/shb.0.0029
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  1. All’s Well That Ends Well (review)
  2. Michael W. Shurgot
  3. pp. 76-78
  4. DOI: 10.1353/shb.0.0031
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  1. The Merchant of Venice (El mercader de Venecia), and: The Merchant of Venice (review)
  2. Susan L. Fischer
  3. pp. 78-92
  4. DOI: 10.1353/shb.0.0033
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  1. King Lear (review)
  2. Michael J. Collins
  3. pp. 92-98
  4. DOI: 10.1353/shb.0.0035
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  1. King Lear (review)
  2. Barbara Ann Lukacs
  3. pp. 98-103
  4. DOI: 10.1353/shb.0.0038
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  1. The Comedy of Errors (review)
  2. Barbara Ann Lukacs
  3. pp. 104-107
  4. DOI: 10.1353/shb.0.0041
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  1. Hamlet Between the Lines
  2. Yu Jin Ko
  3. pp. 108-114
  4. DOI: 10.1353/shb.0.0028
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  1. Revenge Backwards, and in Heels: Hamlet and The Revenger’s Tragedy, England, Summer 2008
  2. Laura Grace Godwin
  3. pp. 115-131
  4. DOI: 10.1353/shb.0.0030
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  1. Testing Alan Armstrong’s “Academic Review Kit”: A Review of Northern Broadsides’ Romeo and Juliet
  2. Peter J. Smith
  3. pp. 131-136
  4. DOI: 10.1353/shb.0.0032
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  1. City/Stage/Globe: Performance and Space in Shakespeare’s London (review)
  2. Marissa Greenberg
  3. pp. 137-141
  4. DOI: 10.1353/shb.0.0034
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  1. Shakespeare on Screen: Richard III (review)
  2. Curtis Breights
  3. pp. 143-146
  4. DOI: 10.1353/shb.0.0037
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  1. Shakespeare and Film: A Norton Guide (review)
  2. John R. Ford
  3. pp. 147-151
  4. DOI: 10.1353/shb.0.0040
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  1. Index to Volume 26
  2. pp. 155-160
  3. DOI: 10.1353/shb.0.0027
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