1. The Epic in an Age of Romance: Genre and Discursive Context in the Nibelungenlied
  2. Neil E. Thomas
  3. pp. 301-317
  4. DOI: 10.1353/smr.0.0029
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  1. Robbers, Readers, and Security: Christian August Vulpius and the Art of Mass Appeal
  2. Gail Hart
  3. pp. 318-333
  4. DOI: 10.1353/smr.0.0031
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  1. Peace with Machines?: Myth and Technology in Heinrich Hauser's Gigant Hirn
  2. Paul A. Youngman
  3. pp. 334-350
  4. DOI: 10.1353/smr.0.0030
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  1. "Der widerwärtigste Beruf": Literature and Autobiography in Irmgard Keun's Ferdinand, der Mann mit dem freundlichen Herzen
  2. Geoff Wilkes
  3. pp. 351-365
  4. DOI: 10.1353/smr.0.0027
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  1. Intersections: Issues of National, Ethnic, and Sexual Identity in Kutlug Ataman's Berlin Film Lola und Bilidikid
  2. Karin Hamm-Ehsani
  3. pp. 366-381
  4. DOI: 10.1353/smr.0.0034
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  1. Internationales Germanistenlexikon: 1800-1950 (review)
  2. Gisela Brude-Firnau
  3. pp. 382-383
  4. DOI: 10.1353/smr.0.0026
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  1. Goethe, Nietzsche, and Wagner: Their Spinozan Epics of Love and Power (review)
  2. Nicholas Rennie
  3. pp. 384-385
  4. DOI: 10.1353/smr.0.0033
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  1. Passions of the Sign: Revolution and Language in Kant, Goethe, and Kleist (review)
  2. Arnd Bohm
  3. pp. 385-386
  4. DOI: 10.1353/smr.0.0032
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  1. Queer Social Philosophy: Critical Readings from Kant to Adorno (review)
  2. Christoph Lorey
  3. pp. 386-388
  4. DOI: 10.1353/smr.0.0028
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  1. "Böse Lust": Gewaltverbrechen in Diskursen der Weimarer Republik (review)
  2. Sophie Boyer
  3. pp. 389-390
  4. DOI: 10.1353/smr.0.0036
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  1. Teaching the Representation of the Holocaust (review)
  2. Barbara Schmenk
  3. pp. 393-394
  4. DOI: 10.1353/smr.0.0025
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