1. The Dagger is the Pen: Violence and Writing in Lessing's Emilia Galotti
  2. Grant P. McAllister
  3. pp. 395-413
  4. DOI: 10.1353/smr.0.0037
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  1. Technology and Perception in Alfred Andersch's Early Poetry and Prose
  2. Daniel Gilfillan
  3. pp. 433-452
  4. DOI: 10.1353/smr.0.0039
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  1. Going East, Looking West: Border Crossings in Recent German Cinema
  2. Gabriele Mueller
  3. pp. 453-469
  4. DOI: 10.1353/smr.0.0040
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  1. Courtly Love, the Love of Courtliness, and the History of Sexuality (review)
  2. Christine McWebb
  3. pp. 470-471
  4. DOI: 10.1353/smr.0.0041
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  1. German Literature of the Eighteenth Century: The Enlightenment and Sensibility (review)
  2. Gaby Pailer
  3. pp. 471-472
  4. DOI: 10.1353/smr.0.0042
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  1. Lexikon deutschsprachiger Epik und Dramatik von Autorinnen (1730-1900) (review)
  2. Beth Bjorklund
  3. pp. 473-474
  4. DOI: 10.1353/smr.0.0043
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  1. Romantic Moods: Paranoia, Trauma, and Melancholy, 1790-1840 (review)
  2. Arnd Bohm
  3. pp. 474-476
  4. DOI: 10.1353/smr.0.0044
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  1. Goethe's 'Faust' and European Epic: Forgetting the Future (review)
  2. David G. John
  3. pp. 476-477
  4. DOI: 10.1353/smr.0.0045
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  1. Dances of the Self in Heinrich von Kleist, E.T.A. Hoffmann, and Heinrich Heine (review)
  2. Jill Scott
  3. pp. 477-479
  4. DOI: 10.1353/smr.0.0046
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  1. Der versteckte Fontane und wie man ihn findet (review)
  2. Christian Thomas
  3. pp. 479-480
  4. DOI: 10.1353/smr.0.0047
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  1. Electra after Freud: Myth and Culture (review)
  2. Jean M. Snook
  3. pp. 480-482
  4. DOI: 10.1353/smr.0.0048
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  1. Weimar on the Pacific. German Exile Culture in Los Angeles and the Crisis of Modernism (review)
  2. Mark Grzeskowiak
  3. pp. 482-483
  4. DOI: 10.1353/smr.0.0049
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  1. Index to Volume XLIV, 2008
  2. pp. 484-486
  3. DOI: 10.1353/smr.0.0050
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