1. Chaîne et Chaîne: Representation as Corrosion in François Bon's Daewoo
  2. Sam DiIorio
  3. pp. 5-22
  4. DOI: 10.1353/sub.2006.0042
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  1. Christian Oster: From Courtly Love to Modern Malaise
  2. Jean-Louis Hippolyte
  3. pp. 23-34
  4. DOI: 10.1353/sub.2006.0044
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  1. The Salvayre Method
  2. Marie-Pascale Huglo, Roxanne Lapidus
  3. pp. 35-50
  4. DOI: 10.1353/sub.2006.0045
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  1. Echenoz's Modern-Day Mystics
  2. Dominique Jullien
  3. pp. 51-63
  4. DOI: 10.1353/sub.2006.0046
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  1. Gérard Gavarry's Hops
  2. Warren F. Motte
  3. pp. 64-82
  4. DOI: 10.1353/sub.2006.0049
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  1. Marie Ndiaye's Discombobulated Subject
  2. Lydie Moudileno
  3. pp. 83-94
  4. DOI: 10.1353/sub.2006.0050
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  1. Jean-Philippe Toussaint, Unfinished
  2. Jordan Stump
  3. pp. 95-111
  4. DOI: 10.1353/sub.2006.0053
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  1. "Lived experience at the level of the body": Annie Ernaux's Journaux extimes
  2. Robin Tierney
  3. pp. 113-130
  4. DOI: 10.1353/sub.2006.0054
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  1. Men, Machines, and the Modernity of Knowledge in Alfred Jarry's Le Surmâle
  2. Philip G. Hadlock
  3. pp. 131-148
  4. DOI: 10.1353/sub.2006.0043
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  1. The Visual Turn: Classical Film Theory and Art History (review)
  2. Jennifer Wild
  3. pp. 149-152
  4. DOI: 10.1353/sub.2006.0055
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  1. Critical Resistance: From Poststructuralism to Post-Critique (review)
  2. Brett Parker
  3. pp. 153-157
  4. DOI: 10.1353/sub.2006.0051
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  1. Poetry at Stake: Lyric Aesthetics and the Challenge of Technology (review)
  2. Franck Le Gac
  3. pp. 157-161
  4. DOI: 10.1353/sub.2006.0047
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  1. Friedrich Kittler zur Einführung (review)
  2. Larson Powell
  3. pp. 161-167
  4. DOI: 10.1353/sub.2006.0052
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  1. Introduction: The French Novel Now
  2. Warren F. Motte
  3. pp. 3-4
  4. DOI: 10.1353/sub.2006.0048
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  1. Contributors
  2. pp. 168-169
  3. DOI: 10.1353/sub.2006.0041
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