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Nothing: A User's Manual

Paul Harris

pp. 3-16

DOI: https://doi.org/10.1353/sub.2006.0035

Departing Landscapes: Morton Feldman's String Quartet II and Triadic Memories

Clark D. Lunberry

pp. 17-50

DOI: https://doi.org/10.1353/sub.2006.0037

Seeing Nothing: Allegory and the Holocaust's Absent Dead

Daniel B. Listoe

pp. 51-70

DOI: https://doi.org/10.1353/sub.2006.0036

Dividing Zero: Beholding Nothing

Samuel Frederick, Nilima Rabl

pp. 71-82

DOI: https://doi.org/10.1353/sub.2006.0032

Staging Nothing: Hamlet and Cognitive Science

Amy Cook

pp. 83-99

DOI: https://doi.org/10.1353/sub.2006.0031

The Return of Negation: The Doppelganger in Freud's "The 'Uncanny'"

Dimitris Vardoulakis

pp. 100-116

DOI: https://doi.org/10.1353/sub.2006.0038

In Defense of Nothing

Peter Gizzi

p. 117

DOI: https://doi.org/10.1353/sub.2006.0033

Comment on "The Story of O as Told by E"

Gail Friemuth Wronsky

p. 118

DOI: https://doi.org/10.1353/sub.2006.0039

The Story of O as Told by E

Gail Friemuth Wronsky

p. 119

DOI: https://doi.org/10.1353/sub.2006.0040

Ruin, Archive and the Time of Cinema: Peter Delpeut's Lyrical Nitrate

Andre Habib

pp. 120-139

DOI: https://doi.org/10.1353/sub.2006.0034

Jacques Derrida, The Last European

Ross Benjamin, Heesok Chang

pp. 140-171

DOI: https://doi.org/10.1353/sub.2006.0028

The Fragment: Towards a History and Poetics of a Performative Genre (review)

Gray Kochhar-Lindgren

pp. 172-178

DOI: https://doi.org/10.1353/sub.2006.0030

Literary Culture in a World Transformed: A Future for the Humanities (review)

Michael Berube

pp. 178-182

DOI: https://doi.org/10.1353/sub.2006.0029

Contributors

pp. 183-185

DOI: https://doi.org/10.1353/sub.2006.0027

Previous Issue

Issue 109 (Volume 35, Number 1), 2006

Next Issue

Issue 111 (Volume 35, Number 3), 2006

Additional Information
ISSN	1527-2095
Print ISSN	0049-2426
Launched on MUSE	2006-07-13
Open Access	No

SubStance

In this Issue

Issue 110 (Volume 35, Number 2), 2006

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Table of Contents

Nothing: A User's Manual

Departing Landscapes: Morton Feldman's String Quartet II and Triadic Memories

Seeing Nothing: Allegory and the Holocaust's Absent Dead

Dividing Zero: Beholding Nothing

Staging Nothing: Hamlet and Cognitive Science

The Return of Negation: The Doppelganger in Freud's "The 'Uncanny'"

In Defense of Nothing

Comment on "The Story of O as Told by E"

The Story of O as Told by E

Ruin, Archive and the Time of Cinema: Peter Delpeut's Lyrical Nitrate

Jacques Derrida, The Last European

The Fragment: Towards a History and Poetics of a Performative Genre (review)

Literary Culture in a World Transformed: A Future for the Humanities (review)

Contributors

Previous Issue

Next Issue

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