1. On the Verge of Avalanche
  2. Wasim Maziak
  3. p. 95
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After Midnight

  1. Moments of the Maiden : Time, Space and Intercultural Communication in Tokyo
  2. Alejandro Jaimes
  3. pp. 98-99
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Statements

  1. The Rainbow Technique: An Innovative Approach to the Artistic Presentation of 3D Computed Tomography
  2. Kai-Hung Fung
  3. p. 101
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  1. Web Site Aesthetics: The Search for Preference Factors
  2. Muzeyyen Pandir, John Knight
  3. p. 102
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  1. Screen
  2. Noah Wardrip-Fruin
  3. p. 103
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Special Section: CAA 2005
Guest Editors: Yvonne Spielmann and Jay David Bolter

  1. Special Section Introduction: Hybridity: Arts, Sciences and Cultural Effects
  2. Yvonne Spielmann, J. David Bolter
  3. pp. 106-107
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  1. The Desire for Transparency in an Era of Hybridity
  2. J. David Bolter
  3. pp. 109-111
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  1. Innovation and Visualization: Trajectories, Strategies and Myths
  2. Amy Ione
  3. pp. 113-116
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Artists' Articles

  1. Digitizing the Golem: From Earth to Outer Space
  2. Sonya Rapoport
  3. pp. 117-124
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  1. Framing the Land and Sky: Art Meets Cosmology in a Sustainable Environment
  2. Daniela Bertol
  3. pp. 125-130
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Color Plates

  1. Color Plates
  2. pp. 131-134
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General Note

  1. Proteins, Immersive Games and Music
  2. Y. Y. Cai, B. F. Lu, Z. W. Fan, C. W. Chan, K. T. Lim, L Qi, L Li
  3. pp. 135-137
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Historical Perspective

  1. Psychological Implications of the History of Realistic Depiction: Ancient Greece, Renaissance Italy and CGI
  2. Aaron Kozbelt
  3. pp. 139-144
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Theoretical Perspective

  1. Cognitive and Evolutionary Speculations for Biomorphic Architecture
  2. Yannick Joye
  3. pp. 145-152
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Special Section: Art Science: The Essential Connection
Guest Editor: Robert Root-Bernstein

  1. Frederick Banting, Painter
  2. Robert Scott Root-Bernstein
  3. p. 154
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  1. Bridging the Arts and Sciences: A Framework for the Psychology of Aesthetics
  2. Thomas Jacobsen
  3. pp. 155-162
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Leonardo Reviews

  1. The Cinema, or The Imaginary Man (review)
  2. Martha Blassnigg
  3. pp. 163-164
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  1. Masterworks of Technology: The Story of Creative Engineering, Architecture, and Design (review)
  2. Rob Harle
  3. pp. 164-165
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  1. Empathic Vision: Affect, Trauma, and Contemporary Art (review)
  2. Alex Rotas
  3. pp. 165-166
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  1. VAS: An Opera in Flatland (review)
  2. Eugene Thacker
  3. p. 166
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  1. Innovation and Its Discontents: How Our Broken Patent System is Endangering Innovation and Progress, and What to Do about It (review)
  2. Zainub Verjee
  3. pp. 166-167
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  1. Le arti e la psicologia (review)
  2. Ian Verstegen
  3. pp. 167-168
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  1. Unsorted: An A to Z for SonicActsX (review)
  2. Rene Beekman
  3. p. 168
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  1. Conversation Pieces: Community and Communication in Modern Art (review)
  2. Andrea Dahlberg
  3. pp. 168-169
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  1. Dream Bridges--Traumbrucken (review)
  2. Rob Harle
  3. pp. 169-170
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  1. Hokusai (review)
  2. Roy R. Behrens
  3. p. 170
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  1. La planete hyper: de la pensee lineaire a la pensee en arabesque (review)
  2. Stefaan van Ryssen
  3. pp. 170-171
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  1. Visionary Anatomies (review)
  2. Amy Ione
  3. pp. 171-172
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  1. La Biennale di Venezia (review)
  2. Yvonne Spielmann
  3. pp. 172-173
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  1. Art Inquiry: Recherches sur les Arts (review)
  2. Michael R. Mosher
  3. pp. 173-174
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  1. Barricade 3 (review)
  2. Rene van Peer
  3. p. 174
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  1. Leonardo Reviews On-line
  2. pp. 174-175
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Leonardo Network News

  1. Leonardo Network News
  2. pp. 176-177
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