1. The Encyclopedia of New Media Arts
  2. Louise Poissant
  3. p. 180
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  1. New Media in Seoul After Midnight
  2. Jon Phillips
  3. pp. 182-183
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  1. Cyberangels: An Aesthetic Peace Plan for the Middle East
  2. Melvin L. Alexenberg
  3. p. 185
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  1. Chasing Science Culture
  2. Chris Robinson
  3. p. 186
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  1. Artwork Using 3D Computed Tomography: Extending Radiology into the Realm of Visual Art
  2. Kai-Hung Fung
  3. pp. 187-191
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  1. Toward a New Kind of Image: Photosynthegraphy
  2. Celine Guesdon
  3. pp. 193-197
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  1. From Video Replay to the Relational Circuit to Threeing
  2. Paul Ryan
  3. pp. 199-203
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  1. ZENetic Computer : Exploring Japanese Culture
  2. Naoko Tosa, Seigow Matsuoka
  3. pp. 205-211
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  1. Perspectives on Collaborative Research and Education in Media Arts
  2. George Legrady
  3. pp. 213-218
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  1. The Artist and the Scientific Research Environment
  2. Daniel J. Sandin, Tom DeFanti, Louis H. Kauffman, Yvonne Spielmann
  3. pp. 219-221
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  1. Color Plates
  2. pp. 223-230
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  1. Albert Michelson, Painter of Light
  2. Robert Scott Root-Bernstein
  3. pp. 231-232
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  1. The Helium Stockpile : A Collaboration in Mathematical Folding Sculpture
  2. Erik D. Demaine, Martin L. Demaine, A. Laurie Palmer
  3. pp. 233-235
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  1. Extended Memory: Early Calculating Engines and Historical Computer Simulations
  2. David Mather
  3. pp. 237-243
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  1. Reduction of Physiological Stress Using Fractal Art and Architecture
  2. R. P. Taylor
  3. pp. 245-251
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  1. Rembrandt's Portraits: Approach or Avoid?
  2. James A. Schirillo, Melissa A. Fox
  3. pp. 253-256
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  1. The Aegina Academy, A Forum for Art and Science: Light/Image/Illusion (review)
  2. Martha Blassnigg
  3. pp. 257-259
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  1. Pop Trickster Fool: Warhol Performs Naivete (review)
  2. Michael R. Mosher
  3. p. 259
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  1. The Situationist International: A User's Guide (review)
  2. Claudia Westermann
  3. pp. 259-260
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  1. The Cradle of Humanity: Prehistoric Art and Culture (review)
  2. Allan Graubard
  3. pp. 260-261
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  1. Cognitive Science, Literature and the Arts (review)
  2. Amy Ione
  3. pp. 261-262
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  1. Human Factors Methods for Design: Making Systems Human-Centred (review)
  2. John Knight
  3. pp. 262-263
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  1. Art Since 1900: Modernism, Antimodernism, Postmodernism (review)
  2. Andrea Dahlberg
  3. pp. 263-264
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  1. The Art of Setting Stones and Other Writings from the Japanese Garden (review)
  2. Rob Harle
  3. pp. 264-265
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  1. Art Marketing 101: A Handbook for the Fine Artist (review)
  2. George Shortess
  3. p. 265
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  1. The Paradoxes of Art: A Phenomenological Investigation (review)
  2. Robert Pepperell
  3. pp. 265-266
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  1. New Philosophy for New Media (review)
  2. Eugene Thacker
  3. pp. 266-267
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  1. Eating Architecture (review)
  2. Stefaan van Ryssen
  3. pp. 267-268
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  1. Artificial Life IX: Proceedings of the Ninth International Conference on the Simulation and Synthesis of Living Systems (review)
  2. Stefaan van Ryssen
  3. p. 268
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  1. Image Retrieval: Theory and Research (review)
  2. Pia Tikka
  3. pp. 268-269
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  1. Lara Croft: Cyber Heroine (review)
  2. Dene Grigar
  3. pp. 269-270
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  1. Histories of the Future (review)
  2. Kathleen Quillian
  3. pp. 270-271
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  1. Leonora Carrington: Surrealism, Alchemy and Art (review)
  2. Roy R. Behrens
  3. pp. 271-272
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  1. Symmetry 2000: Parts 1 and 2 (review)
  2. Rob Harle
  3. p. 272
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  1. Gyromancy, and: CMCD: Six Classic Concrete, Electroacoustic and Electronic Works, 1970-1990 (review)
  2. Michael R. Mosher
  3. pp. 272-273
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  1. The Perfect Medium: Photography and the Occult (review)
  2. Anthony Enns
  3. pp. 273-274
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  1. Ninth RAI Festival of Ethnographic Film (review)
  2. Aparna Sharma
  3. pp. 274-276
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  1. Leonardo Reviews On-line
  2. p. 276
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  1. Leonardo Network News
  2. pp. 278-279
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