In this Issue

Table of Contents

The Editor's Reflections and Reports

Peter C. Rollins
pp. 1-6
DOI: https://doi.org/10.1353/flm.2005.0055
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The Long Battle Over Fahrenheit 9/11: A Matter of Politics, Not Aesthetics

Robert Brent Toplin
pp. 8-10
DOI: https://doi.org/10.1353/flm.2005.0057
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Michael Moore and the Re-Birth of the Documentary

Steven Mintz
pp. 10-11
DOI: https://doi.org/10.1353/flm.2005.0049
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Fahrenheit 9/11: Michael Moore Heats It Up

Ron Briley
pp. 11-12
DOI: https://doi.org/10.1353/flm.2005.0029
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Fahrenheit 9/11: Documentary, Truth-telling, and Politics

Ken Nolley
pp. 12-16
DOI: https://doi.org/10.1353/flm.2005.0052
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p. 16
DOI: https://doi.org/10.1353/flm.2005.0060
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An Olympic Omnibus: International Competition, Cooperation, and Politics in Visions of Eight

David Scott Diffrient
pp. 19-28
DOI: https://doi.org/10.1353/flm.2005.0036
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"Down on the floor and give me ten sit-ups": British Sports Feature Film

Glen Jones
pp. 29-40
DOI: https://doi.org/10.1353/flm.2005.0043
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The 'Loneliness' of the Angry Young Sportsman

John Hughson
pp. 41-48
DOI: https://doi.org/10.1353/flm.2005.0041
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"Just Some Bum From the Neighborhood": The Resolution of Post-Civil Rights Tension and Heavyweight Public Sphere Discourse in Rocky (1976)

Victoria A. Elmwood
pp. 49-59
DOI: https://doi.org/10.1353/flm.2005.0037
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Fighting for Manhood: Rocky and Turn-of-the-Century Antimodernism

Clay Motley
pp. 60-66
DOI: https://doi.org/10.1353/flm.2005.0051
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Bobby Jones, Golf, and His Instructional Reels

Michael K. Schoenecke
pp. 67-70
DOI: https://doi.org/10.1353/flm.2005.0056
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Hoops: Escape or Illusion? A Review Essay

Katherine Cipriano
pp. 78-80
DOI: https://doi.org/10.1353/flm.2005.0034
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With All Due Retrospect: The Essential Harold Lloyd

Lorrie Palmer
pp. 81-82
DOI: https://doi.org/10.1353/flm.2005.0054
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Dialogue, Nuance, and Subtlety: Everyone's Depressed

Robert Fyne
pp. 82-83
DOI: https://doi.org/10.1353/flm.2005.0039
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Oliver Stone's Alexander

Terrell Carver
pp. 83-84
DOI: https://doi.org/10.1353/flm.2005.0033
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Tell Them Who You Are (review)

James R. Knecht
pp. 84-85
DOI: https://doi.org/10.1353/flm.2005.0044
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Musical Biography and Film: John Tibbetts Interviewed by Jim Welsh

John C. Tibbetts, Jim Welsh
pp. 86-91
DOI: https://doi.org/10.1353/flm.2005.0058
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Reelpolitik: Political Ideologies in '30s and '40s Films, and: Reelpolitik II: Political Ideologies in '50s and '60s Films (review)

Kevin Dvorak
pp. 92-93
DOI: https://doi.org/10.1353/flm.2005.0035
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Roy Ward Baker (review)

David Lancaster
pp. 93-94
DOI: https://doi.org/10.1353/flm.2005.0045
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American Film: Musical Themes and Forms (review)

Charlene Etkind
pp. 94-95
DOI: https://doi.org/10.1353/flm.2005.0038
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Product Placement in Hollywood Films: A History (review)

David Lancaster
pp. 95-96
DOI: https://doi.org/10.1353/flm.2005.0046
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Policing Cinema: Movies and Censorship in Early Twentieth Century America (review)

Charles Wukasch
pp. 96-97
DOI: https://doi.org/10.1353/flm.2005.0059
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Little Caesar: A Biography of Edward G. Robinson (review)

David Lancaster
pp. 97-98
DOI: https://doi.org/10.1353/flm.2005.0047
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Movie Moguls Speak: Interviews with Top Film Producers (review)

Suzanne Broderick
pp. 98-99
DOI: https://doi.org/10.1353/flm.2005.0032
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The Boxing Filmography: American Features, 1920-2003 (review)

Ron Briley
pp. 99-100
DOI: https://doi.org/10.1353/flm.2005.0031
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Pervert in the Pulpit: Morality in the Works of David Lynch (review)

David Lancaster
pp. 100-101
DOI: https://doi.org/10.1353/flm.2005.0048
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Hick Flicks: The Rise and Fall of Redneck Cinema (review)

Jay Morong
pp. 101-103
DOI: https://doi.org/10.1353/flm.2005.0050
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Stars and Stripes on Screen: A Comprehensive Guide to Portrayals of American Military on Film (review)

Robert Fyne
p. 103
DOI: https://doi.org/10.1353/flm.2005.0040
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Michael Moore: Cinematic Historian or Propagandist?: Introduction: Historians on Michael Moore and Fahrenheit 9/11

John E. O'Connor
p. 7
DOI: https://doi.org/10.1353/flm.2005.0053
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Sports in Film, Television, and History: Introduction

Ron Briley
pp. 17-18
DOI: https://doi.org/10.1353/flm.2005.0030
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"What's Natural About It?": A Baseball Movie as Introduction to Key Concepts in Cultural Studies

Latham Hunter
pp. 71-77
DOI: https://doi.org/10.1353/flm.2005.0042
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