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In this Issue

Table of Contents

  1. The Editor's Reflections and Reports
  2. Peter C. Rollins
  3. pp. 1-8
  4. DOI: https://doi.org/10.1353/flm.2005.0024
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  1. Basketball's Great White Hope and Ronald Reagan's America: Hoosiers (1986)
  2. Ron Briley
  3. pp. 12-19
  4. DOI: https://doi.org/10.1353/flm.2005.0003
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  1. From "Knockout Punch" to "Home Run:" Masculinity's "Dirty Dozen" Sports Metaphors in American Combat Films
  2. Ralph Donald
  3. pp. 20-28
  4. DOI: https://doi.org/10.1353/flm.2005.0010
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  1. You Throw Like a Girl: Sport and Misogyny on the Silver Screen
  2. Dayna B. Daniels
  3. pp. 29-38
  4. DOI: https://doi.org/10.1353/flm.2005.0009
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  1. Endless Summer (1964): Consuming Waves and Surfing the Frontier
  2. Joan Ormrod
  3. pp. 39-51
  4. DOI: https://doi.org/10.1353/flm.2005.0022
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  1. Televised Golf and the Creation of Narrative
  2. Harper Cossar
  3. pp. 52-59
  4. DOI: https://doi.org/10.1353/flm.2005.0008
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  1. The Collaborative Dog: Wag the Dog (1997)
  2. Tom Stempel
  3. pp. 60-64
  4. DOI: https://doi.org/10.1353/flm.2005.0026
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  1. The Prisoner of Azkaban: A New Direction for Harry Potter
  2. Cara Lane
  3. pp. 65-67
  4. DOI: https://doi.org/10.1353/flm.2005.0019
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  1. The Ring Returns: Adaptation and the Trilogy
  2. Cara Lane
  3. pp. 67-69
  4. DOI: https://doi.org/10.1353/flm.2005.0020
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  1. Collateral (review)
  2. Samuel Allen Chambers
  3. pp. 69-70
  4. DOI: https://doi.org/10.1353/flm.2005.0007
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  1. National Treasure (review)
  2. Anne Caldwell
  3. pp. 70-71
  4. DOI: https://doi.org/10.1353/flm.2005.0006
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  1. Imaginary Witness: Hollywood and the Holocaust (review)
  2. Lawrence Baron
  3. pp. 72-74
  4. DOI: https://doi.org/10.1353/flm.2005.0002
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  1. Operation Hollywood: How the Pentagon Shapes and Censors the Movies (review)
  2. Lawrence H. Suid
  3. pp. 75-76
  4. DOI: https://doi.org/10.1353/flm.2005.0027
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  1. David L. Robb Responds
  2. David L. Robb
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/flm.2005.0023
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  1. Lawrence Suid's Response of 7 January 2005
  2. Lawrence H. Suid
  3. p. 77
  4. DOI: https://doi.org/10.1353/flm.2005.0028
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  1. Doing Their Bit: Wartime American Animated Short Films, 1939-1945 (review)
  2. Robert Fyne
  3. p. 78
  4. DOI: https://doi.org/10.1353/flm.2005.0012
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  1. The Films of Nicholas Ray: The Poet of Nightfall (review)
  2. David Lancaster
  3. pp. 79-80
  4. DOI: https://doi.org/10.1353/flm.2005.0015
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  1. Errol Flynn: The Life and Career (review)
  2. Erin Hill-Parks
  3. p. 80
  4. DOI: https://doi.org/10.1353/flm.2005.0013
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  1. Anna May Wong: From Laundryman's Daughter to Hollywood Legend (review)
  2. Suzanne Broderick
  3. pp. 81-82
  4. DOI: https://doi.org/10.1353/flm.2005.0005
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  1. Terence Davies (review)
  2. David Lancaster
  3. pp. 82-83
  4. DOI: https://doi.org/10.1353/flm.2005.0016
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  1. Foreign Films in America (review)
  2. Erwin F. Erhardt
  3. pp. 83-85
  4. DOI: https://doi.org/10.1353/flm.2005.0011
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  1. Adventures of a Suburban Boy (review)
  2. David Lancaster
  3. pp. 85-86
  4. DOI: https://doi.org/10.1353/flm.2005.0017
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  1. Sarah Bernhardt in the Theatre of Films and Sound Recordings (review)
  2. Ron Briley
  3. pp. 86-87
  4. DOI: https://doi.org/10.1353/flm.2005.0004
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  1. Radio Goes to War: The Cultural Politics of Propaganda during World War II (review)
  2. Michael S. Shull
  3. pp. 87-88
  4. DOI: https://doi.org/10.1353/flm.2005.0025
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  1. Joseph Losey (review)
  2. David Lancaster
  3. pp. 88-89
  4. DOI: https://doi.org/10.1353/flm.2005.0018
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  1. The American Martial Arts Film (review)
  2. Douglas MacLeod
  3. pp. 89-90
  4. DOI: https://doi.org/10.1353/flm.2005.0021
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  1. Nixon at the Movies (review)
  2. Jonathan Kirshner
  3. pp. 90-91
  4. DOI: https://doi.org/10.1353/flm.2005.0014
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  1. American Sport in Film, Television and History: Introduction
  2. Ron Briley
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/flm.2005.0001
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Volume 34.2 (2004)

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Volume 35.2 (Spring 2005)