In this Book

summary
The first major interpretation of recent South Asian diasporic writing in specifically transatlantic terms. The book is organised around four key themes: home and nation; travel and return; racial mixing; and food and eating. Ruth Maxey offers readings of canonical and less well-known South Asian American and British Asian writers and texts and of key cinematic works. She explores the formal and thematic tendencies of the works, relating them to gender politics, the marketplace, and issues of literary value and historical change. The book engages with established debates, while intervening in new ways in transatlantic studies, postcolonial literary studies and Asian American cultural studies.

Table of Contents

Cover

Title Page, Copyright, Dedication

pp. i-iv

Contents

pp. v-vii

Acknowledgements

pp. vii-viii

Introduction: Framing South Asian Writing in America and Britain, 1970–2010

pp. 1-27

1 Home and Nation in South Asian Atlantic Literature

pp. 28-76

2 Close Encounters with Ancestral Space: Travel and Return in Transatlantic South Asian Writing

pp. 77-118

3 Brave New Worlds? Miscegenation in South Asian Atlantic Literature

pp. 119-162

4 ‘Mangoes and Coconuts and Grandmothers’: Food in Transatlantic South Asian Writing

pp. 163-208

Conclusion: The Future of South Asian Atlantic Literature

pp. 209-216

Bibliography

pp. 217-246

Index

pp. 247-256
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