Books Received

Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned.

The Harmonious Musick of John Jenkins, ii: Airs and Vocal Music. By Andrew Ashbee. Pp. 311. (Toccata Press, London, 2020. £45. Isbn 978-0-907689-47-8.)

Experiencing Mahler: A Listener's Companion. By Arved Ashby. Pp. xvii 249. The Listener's Companion. (Rowman & Littlefield, Lanham, Boulder, New York, and London, 2020. £24.95. Isbn 978-1-5381-0486-6.)

Both from the Ears and Mind: Thinking about Music in Early Modern England. By Linda Phyllis Austern. Pp. 384. (University of Chicago Press, Chicago and London, 2020. $55. Isbn 978-0-226-70159-2.)

Singing and Survival: The Music of Easter Island. By Dan Bendrups. Pp. 224. (Oxford University Press, New York and Oxford, 2019. £64. Isbn 978-0-19-029704-6.)

Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland and Hans Eisler. By Sally Bick. Pp. xiii 232. Music in American Life. (University of Illinois Press, Urbana, Chicago, and Springfield, 2019. $28. Isbn 978-0-252-08464-5.)

Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function. By Jack Boss. Pp. 404. Music Since 1900. (Cambridge University Press, Cambridge and New York, 2019. £90. Isbn 978-1-108-41913-0.)

The Karl Muck Scandal: Classical Music and Xenophobia in World War I America. By Melissa D. Burrage. Pp. 456. Eastman Studies in Music. (University of Rochester Press, Rochester, NY, and Woodbridge, 2020. £25. Isbn 978-1-58046-950-0.)

George Frideric Handel: Collected Documents, iv: 1742–1750. Ed. by Donald Burrows, Helen Coffey, John Greenacombe, and Anthony Hicks. Pp. xvi 972. (Cambridge University Press, Cambridge and New York, 2020. £140. Isbn 978-1-107-08021-8.)

Rancière and Music. Ed. by João Pedro Cachopo, Patrick Nickleson, and Chris Stover. Pp. 416. (Edinburgh University Press, Edinburgh, 2020. £85. Isbn 978-1-4744-4022-6.)

The Beatles and Sixties Britain. By Marcus Collins. Pp. 382. (Cambridge University Press, Cambridge and New York, 2019. £90. Isbn 978-1-108-47724-6.)

Musical Exchange between Britain and Europe, 1500–1800: Essays in Honour of Peter Holman. Ed. by John Cunningham and Bryan White. Pp. 336. Music in Britain, 1600–2000. (Boydell Press, Woodbridge and Rochester, NY, 2020. £60. Isbn 978-1-78327-492-5.)

The Cambridge History of Music Criticism. Ed. by Christopher Dingle. Pp. 842. The Cambridge History of Music. (Cambridge University Press, Cambridge and New York, 2019. £120. Isbn 978-1-107-03789-2.)

Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London. By Cheryll Duncan. Pp. 126. (Routledge, Abingdon and New York, 2020. £45. Isbn 978-0-3673-2205-2.)

What Goes On: The Beatles, their Music and their Time. By Walter Everett and Tim Riley. Pp. 304. (Oxford University Press, New York and Oxford, 2019. £74. Isbn 978-0-19-021317-6.)

Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. By Sarah Justina Eyerly. Pp. 354. (Indiana University Press, Bloomington and Indiana, 2020. £72 Isbn 978-0-253-04766-3.)

Inside Arabic Music: Arabic Maqam performance and Theory in the 20th Century. By Johnny Farraj and Sami Abu Shumays. Pp. 448. (Oxford University Press, New York and Oxford, 2019. £81. Isbn 978-0-19-065836-6.)

Postmodernity's Musical Pasts. Ed. by Tina Frühauf. Pp. 325. (Boydell Press, Woodbridge and Rochester, NY, 2020. £70. Isbn 978-1-78327-496-3.)

George Bizet's Carmen. By Nelly Furman. Pp. 152. Oxford Keynotes. (Oxford University Press, New York and Oxford, 2020. £10.99. Isbn 978-0-19-005915-6.)

Faces of Tradition in Chinese Performing Arts. Ed. by Levi S. Gibbs. Pp. vii 178. Encounters: Explorations in Folklore and Ethnomusicology. (Indiana University Press, Bloomington and Indiana, 2020. $30. Isbn 978-0-253-04583-6.)

Child Composers in the Old Conservatories: How Orphans Became Elite Musicians. By Robert O. Gjerdingen. Pp. 368. (Oxford University Press, New York and Oxford, 2020. £22.99. Isbn 978-0-19-065359-0.)

Cultivate by Hand: Amateur Musicians in the Early American Republic. By Glenda Goodman. Pp. 256. New Cultural History of Music. (Oxford University Press...