Index to Volume 76: September 2019 through June 2020

Personal names are identified as author (a), composer (c), editor (e), reviewer (r), or translator (t); names not so identified are subject entries. Titles of articles published in Notes are contained in quotation marks; titles of reviewed books, compositions, videos and electronic media are italicized. Series titles are entered only under the following headings: Books in series; Complete and collected editions; and Historical sets and monuments of music. Entries are alphabetized word-by-word.

Abrahams, Frank, e 142–45

Abromeit, Kathleen A., "Music Received," 169–75, 328–36, 500–3, 645–48

Achille in Sciro (Gluck), 629–34

aesthetics, musical, 595–97; social, 125–27

African diaspora, music, 296–98

Agugliaro, Siel, r 290–93, 440–43

Albrecht, Theodore, e t 588–90

Aldo Parisot, the Cellist (Hawkshaw), 298–300

Allis, Michael, e 106–9

Alves, Bill, a 116–18

Ancient Greek music, modern performance, 433–36

Anderson, Virginia, r 125–27

ANSCR classification, implemented at Case Western Reserve University, 249

Anti-Music (Thompson), 438–40

Arcadia Fund, 577

Arenas, Erick, r 320–22

Arvo Pärt's Resonant Texts (Shenton), 462–66

Ashton-Smith, Alan, a 103–6

Asrael Symphony (Suk), 166–68

Atkinson, Peter, r 106–9

Attfield, Nicholas, a 436–38

Austern, Linda Phyllis, e 253–55

Les Aventures champêtres (Gluck), 629–34

awards, grants, prizes, 84–88, 246–48, 577

Bádue, Alex, r 303–6

Bailey, Candace, e 253–55

The Ballad of John Latouche (Pollack), 135–37

ballet music, 629–34

Banfield, Stephen, a 282–84

Bantock, Granville, correspondence, 106–9

Barrett, Richard, t 592–95

Bauman, Thomas, r 634–39

Beardslee, Bethany, memoir, 139–42

Beausang, Ita, a 448–51

Beauty and Innovation in la machine chinoise (Mueller), 583–85

Beethoven & Freedom (Chua), 122–25

Beethoven's Conversation Books (Albrecht), 588–90

Bellman, Johnathan D., r 454–57

Belt, Chelsey, r 253–55

Benjamin Britten Studies (Stroeher & Vickers), 111–13

Berg, Alban, presentation copy of Wozzeck, 527–34

Berio, Luciano, interviews, 457–59

Berliner gramophone discs, digitization, 577

Berlioz, Hector, 427–30

Bertolani, Valentina, r 457–59, 592–95

Beyond Boundaries (Austern, et al.), 253–55

Bill Russell and the New Orleans Jazz Revival (Smith & Pointon), 468–70

biographies: Beardslee, 139–42; Boyle, 448–51; Carter, 470–73; Cousser, 422–25; Drew, 425–27; Harrison, 116–18; Latouche, 135–37; Ligeti, 118–22; Mozart, 255–58; Newman, 109–11; Parisot, 298–300; Russell, 468–70; Thompson, 585–88; Vaughan Williams, 466–68

Birkenstein, Cathy, 392–405

Blake, Eubie, c 634–39

Les Blanchisseuses (Gluck), 629–34

Blaskiewicz, Jacek, r 427–30

Bloomsbury Popular Music (e-book collection), 159–61

Bloxam, M. Jennifer, e 137–39

Bohemia, music, 274–77

Bonds, Mark Evan, "'Wozzeck's Worst Hours': Alban Berg's Presentation Copy of Wozzeck to Eduard Steuermann," 527–34

Boogaart, Jacques, e t 491–95

"Book Reviews," 91–150, 250–311, 422–78, 581–622

books, prices, 238–45

books in series: Aldeburgh Studies in Music, 111–13; American Music and Musicians Series, 585–88; British Academy Monographs, 436–38; California Studies in 20th-Century Music, 290–93; Chicago Studies in Ethnomusicology, 287–89; Counterpoints: Music and Education, 300–3; Danish Humanist Texts and Studies, 615–20; Dimension and Diversity Series, 583–85; Eastman Studies in Music, 581–83; Improvisation, Community, and Social Practice, 125–27; The Listener's Companion, 473–76; Lives in Music, 298–300; The Master Musicians, 470–73; Middle English Text Series, 491–95; Music in American Life, 113–16; Music in Britain, 1600–2000, 109–11, 282–84, 422–25; Music in Society and Culture, 606–9; Music Library Association Technical Reports Series, 309–11, 476–78; Musical Meaning and Interpretation, 454–57; New Perspectives in Music History and Criticism, 425–30; Oxford Music/Media Series, 306–9; Oxford Studies in Music Theory, 451–54; Oxford Studies in Recorded Jazz, 130–32; Piano delle opera di Lucian Berio, 457–59; Popular Music History, 468–70; Refiguring American Music, 132–35; Reverb, 103–6; Studies in Czech Music, 274–77; Studies in Medieval and Renaissance Music, 250–53; Studies in Musical Performance...