Leonardo Reviews Online

JUNE 2019

99 Variations on a Proof by Philip Ording. Reviewed by Robert Maddox-Harle.

Animal Musicalities: Birds, Beasts, and Evolutionary Listening by Rachel Mundy. Reviewed by Edith Doove.

Disconnect: Facebook's Affective Bonds by Tero Karppi. Reviewed by Andrew Prior.

How to Fall Slower Than Gravity: And Other Everyday (and Not So Everyday) Uses of Mathematics and Physical Reasoning by Paul J. Nahin. Reviewed by Phil Dyke.

Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology edited by Ewa Mazierska, Leslie Gillon and Tony Rigg. Reviewed by Ryan Nolan.

Quantum Computing for Everyone by Chris Bernhardt. Reviewed by Phil Dyke.

Reading Graphic Design in Cultural Context by Grace Lees-Maffei and Nicolas P. Maffei. Reviewed by Jan Baetens.

Visuality and Virtuality: Images and Pictures from Prehistory to Perspective by Whitney Davis. Reviewed by Ian Verstegen.

Vital Reenchantments: Biophilia, Gaia, Cosmos, and the Affectively Ecological by Lauren Greyson. Reviewed by Jane Hutchinson.

MAY 2019

Erwin Schrödinger's Color Theory: Translated with Modern Commentary edited by Keith K. Niall. Reviewed by Ernest Edmonds and Mike Leggett.

Facebook Society: Losing Ourselves in Sharing Ourselves by Roberto Simanowski; translated by Susan H. Gillespie. Reviewed by Amy Ione.

The Long Now: Public Studio edited by Emelie Chhangur and Philip Monk. Reviewed by Robert Maddox-Harle.

Modern Records, Maverick Methods: Technology and Process in Popular Music Record Production 1978–2000 by Samantha Bennett. Reviewed by John F. Barber.

Picturing the Postcard: A New Media Crisis at the Turn of the Century by Monica Cure. Reviewed by Kathryn Adams.

Vocal Projections: Voices in Documentary edited by Annabelle Honess Roe and Maria Pramaggiore. Reviewed by Jan Baetens.