1. The Platonic Forehand and Backhand of Cybernetic Architecture
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  1. Documenting Media Art: An Archive and Bridging Thesaurus for MediaArtHistories
  2. Oliver Grau, Sebastian Haller, Janina Hoth, Viola Rühse, Devon Schiller, Michaela Seiser
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  1. Art Let Loose: Autonomous Procedures in Art-Making
  2. David Hosking
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  1. Can Musical Machines Be Expressive? Views from the Enlightenment and Today
  2. Steven Kemper, Rebecca Cypess
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  1. The Entropic Envelope
  2. Hector Rodriguez
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  1. Mathematics and Performance Art: First Steps on an Open Road
  2. Telma João Santos
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  1. Computer Scientists with Serious Music Avocations Share Their Thinking
  2. Varda Shaked
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  1. Color Plates
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  1. Toward an Ontology of the Interface: Identifying the Interface as a Mediation Entity
  2. Cristina Sá
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  1. Auguste Rodin Draws Blind: An Art and Psychology Study
  2. John Tchalenko, R. Chris Miall
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  1. A Review of ACD-STEMM Integration: Part 1: A Taxonomy of Integrated Bridges
  2. Robert Root-Bernstein, Ania Pathak, Michele Root-Bernstein
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  1. Merging Art, Science and Motherhood to Save Joshua Trees
  2. Jennifer Harrower
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  1. Top-Rated LABS Abstracts 2018
  2. Sheila Pinkel
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  1. Designing for the Mindbody in Technology-Mediated Music-Making
  2. Aura Pon
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  1. Gaze Relations: A Critical Analysis of Human Gaze and Computer Vision
  2. Anthony Assi
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  1. Shapeshifting the Colonial Object
  2. Sarah Rosalena Brady
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  1. Experimental Curating in Times of the Perpetual Beta: Strategies and Platforms for Online-Based Art
  2. Lia Carreira
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  1. The Return of Hephaistos: Reconstructing the Fragmented Mythos of the Maker
  2. Cheryl De Ciantis
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  1. Art on the Internet and The Digital Public Sphere, 1994–2003
  2. Megan Driscoll
  3. p. 504
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  1. Bay Area Experimentalism: Music and Technology in the Long 1960s
  2. Theodore Gordon
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  1. Choreographing Time: Developing a System of Screen-Less Animation
  2. Carol MacGillivray
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  1. Is there a Place in Human Consciousness where Surveillance Cannot Go? Noor: A Brain Opera
  2. Ellen Pearlman
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  1. St. George and The Dragon: Design and Production of a Cultural Heritage Museum Installation Using Media Archaeology
  2. Mercedes Said
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  1. Romantic Objectivism: Diagrammatic Thought in Contemporary Art
  2. Michael Whittle
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  1. Donna Haraway: Story Telling for Earthly Survival dir. by Fabrizio Terranova (review)
  2. Mike Leggett
  3. p. 507
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  1. Eternity Has no Doors of Escape dir. by Arthur Bornis (review)
  2. Mike Leggett
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  1. Weather as Medium: Toward a Meteorological Art by Janine Randerson (review)
  2. Jussi Parikka
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  1. Toward Fewer Images: the Work of Alexander Kluge, 1st Edition by Philipp Ekardt (review)
  2. Will Luers
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  1. High Static, Dead Lines: Sonic Spectres and the Object Hereafter by Kristen Gallerneaux (review)
  2. John F. Barber
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  1. Displaying Time: the Many Temporalities of the Festival of India by Rebecca M. Brown (review)
  2. Jane Hutchinson
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  1. Atlas of Poetic Botany by Francis Hallé (review)
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  1. Powers of Time: Versions of Bergson by David Lapoujade (review)
  2. Edith Doove
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  1. Digital Renaissance: What Data and Economics Tell Us About the Future of Popular Culture by Joel Waldfogel (review)
  2. Jan Baetens
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  1. Worldmaking as Techné: Participatory Art, Music, and Architecture ed. by Mark-David Hosale, Sana Murrani and Alberto de Campo (review)
  2. Brian Reffin Smith
  3. pp. 517-518
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  1. Diva Nation: Female Icons From Japanese Cultural Culture ed. by Laura Miller and Rebecca Copeland (review)
  2. Jan Baetens
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