Tragedy Beyond Pity: A Nietzschean Appraisal of Exorcism

Eugene O’Neill’s discarded one-act play Exorcism, a biographical work depicting his suicide attempt in 1911, was described by reviewers at the time as a tragedy, yet it seems strange to characterize the play this way. I argue that from an interpretive point of view, especially focused in Nietzsche’s critique of pity, this play can be rightly interpreted as a tragedy. Specific references to Thus Spake Zarathustra and Nietzsche’s doctrine of Eternal Return seem to be prevalent in the play, and although Exorcism is not O’Neill’s most overtly Nietzschean work, key doctrines of authenticity and self-affirmation are prevalent and provide useful interpretive lenses through which to view the play. I argue that audience members holding Nietzschean convictions about the life well lived will recognize Ned Malloy’s failure to actualize such convictions, and Nietzsche’s rebuttal of pity makes clear how Ned has failed to actualize those values.