In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 39, Number 2, 2018Table of Contents
pp. 197-225
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View A “sort of composite backwoods-Bronx-bohunk-seaman jargon” Tennessee Williams’s Evolving Impressions of Eugene O’Neill
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A “sort of composite backwoods-Bronx-bohunk-seaman jargon” Tennessee Williams’s Evolving Impressions of Eugene O’Neill
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pp. 226-246
pp. 270-278
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View “They’re lowering the boats! She is lost! She is lost!”: Maritime Disasters and Onomastics in Eugene O’Neill’s Early One-Act Plays
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“They’re lowering the boats! She is lost! She is lost!”: Maritime Disasters and Onomastics in Eugene O’Neill’s Early One-Act Plays
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pp. 279-293
pp. 294-312
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View Crushing Her with the Weight of His Eloquence: Reconsidering the Theatricality of Eugene O’Neill’s Stage Directions
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Crushing Her with the Weight of His Eloquence: Reconsidering the Theatricality of Eugene O’Neill’s Stage Directions
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pp. 313-315
pp. 316-319
pp. 324-330
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| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2019-02-07 |
| Open Access | No |
