Contributors
- Contributors
VIVIAN APPLER is an assistant professor of theatre at the College of Charleston. She is a 2010 Fulbright Fellow and a 2015 Huntington Library Dibner Research Fellow in the history of science. Her research interests include intersections of performance and science, feminist theatre and pedagogy, and physical theatre. Her scholarship has been published in Comparative Drama, Journal of American Drama and Theatre, and The Routledge Companion to Jacques Lecoq. She holds a PhD from the University of Pittsburgh, an MA from Queen Mary, University of London, and a certificate from the Dell'Arte International School of Physical Theatre.
STEFAN AQUILINA is the director of research of the School of Performing Arts and a theatre studies lecturer at the University of Malta. His main area of research is Russian and early Soviet theatre, particularly Stanislavsky, Meyerhold, and amateur theatre. His first book, coedited with Jonathan Pitches, is Stanislavsky in the World: The System and Its Transformations across Continents.
PETER A. CAMPBELL has published essays in Contemporary Theatre Review, Journal of Dramatic Theory and Criticism, Modern Drama, and Theatre Topics, among others. He is the founding editor of the journal Theatre/Practice. Professional productions include directing his pieces medea & medea/for medea, iph.then, and Yellow Electras. He is an associate professor of Theater History and Criticism at Ramapo College of New Jersey.
BRIAN E. G. COOK is an assistant professor of theatre at the University of Alaska Anchorage, where he teaches directing, theatre history, and dramaturgy [End Page 357] and also directs productions. He is the chair of the Earth Matters on Stage New Play Festival and Symposium 2018. He has presented at conferences in the United States, the United Kingdom, and Canada and published articles and book reviews in Theatre History Studies, Theatre Survey, Performing Arts Resources and the LMDA Sourcebook. He has served as a contributing editor to Theatre History Studies, and in 2017, he was elected to serve as the new treasurer of the Mid-America Theatre Conference.
PATRICIA GABORIK, a fellow of the American Academy and an instructor at the American University of Rome, specializes in late nineteenth and early twentieth-century Italian theatre, with a focus on the fascist period. Her articles have appeared in several book collections and journals such as Modern Drama and Teatro e Storia, and she is the editor and translator of Watching the Moon and Other Plays by Massimo Bontempelli. She is editing the forthcoming Pirandello in Context.
KRISTI GOOD teaches script analysis and dramaturgy at Carnegie Mellon University's School of Drama. She earned her MA in dramaturgy from Villanova University and her PhD from the University of Pittsburgh. She has previously been published in Theatre History Studies and Etudes, and her research interests include the work of Irish writer Sebastian Barry, intersections of performance and cognitive science, and global theatre of trauma and human rights. She is a freelance dramaturg and has served as a cochair for the Mid-America Theatre Conference Playwriting Symposium.
JULIET GUZZETTA is an assistant professor of English and Romance and Classical Studies at Michigan State University, where she teaches courses on theatre, performance studies, and film, in addition to Italian language and culture. Her current book project, provisionally titled The Theater of Narration: Performing Community-Based History in Italy, explores a form of contemporary solo theatre in its historical, political, and performative dimensions. She has published on this practice in connection to modernism, feminist workerism, and the public sphere in several peer-reviewed journals and edited collections. Her research has been supported by a year-long Fulbright to Italy and Harvard's Mellon School for Theater and Performance Research.
SHULAMITH LEV-ALADGEM is an associate professor of theatre studies and the chair of the Theatre Arts Department at Tel Aviv University. She is a [End Page 358] community-based theatre practitioner and researcher as well as a trained actress who uses her acting experience in both her research and her teaching. Her research has been published in numerous leading periodicals in the United States, Europe, and Israel. She has written two books: Theatre in Co-Communities: Articulating Power and Standing Front Stage: Resistance, Celebration and Subversion in Community-Based Theatre.
MEGAN LEWIS, an...
