1. Illustrations
  2. pp. ix-x
  3. DOI: 10.1353/ths.2018.0000
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  1. Introduction
  2. Sara Freeman
  3. pp. 1-3
  4. DOI: 10.1353/ths.2018.0001
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  1. Meyerhold and the Revolution: A Reading through Henri Lefebvre's Theories on "Everyday Life"
  2. Stefan Aquilina
  3. pp. 7-26
  4. DOI: 10.1353/ths.2018.0002
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  1. "Shuffled Together under the Name of a Farce": Finding Nature in Aphra Behn's The Emperor of the Moon
  2. Vivian Appler
  3. pp. 27-51
  4. DOI: 10.1353/ths.2018.0003
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  1. Kate Soffel's Life of Crime: A Gendered Journey from Warden's Wife to Criminal Actress
  2. Kristi Good
  3. pp. 53-66
  4. DOI: 10.1353/ths.2018.0004
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  1. Staging Ajax's Suicide: A Historiography
  2. Peter A. Campbell
  3. pp. 67-86
  4. DOI: 10.1353/ths.2018.0005
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  1. Introduction to the Special Section
  2. Brian E. G. Cook
  3. pp. 89-113
  4. DOI: 10.1353/ths.2018.0006
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  1. Until You See the Whites of Their Eyes: Brett Bailey's Exhibit B and the Consequences of Staging the Colonial Gaze
  2. Megan Lewis
  3. pp. 115-144
  4. DOI: 10.1353/ths.2018.0007
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  1. Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini's Italy
  2. Patricia Gaborik
  3. pp. 145-170
  4. DOI: 10.1353/ths.2018.0008
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  1. To Image and to Imagine: Walid Raad, Rabih Mroué, and the Arab Spring
  2. Ilinca Todorut, Anthony Sorge
  3. pp. 171-190
  4. DOI: 10.1353/ths.2018.0009
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  1. Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today
  2. Shulamith Lev-Aladgem
  3. pp. 191-208
  4. DOI: 10.1353/ths.2018.0010
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  1. "Why I Wrote the Phyllis Wheatley Pageant-Play": Mary Church Terrell's Bicentennial Activism
  2. Lurana Donnels O'Malley
  3. pp. 225-255
  4. DOI: 10.1353/ths.2018.0012
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  1. The Lasting Theatre of Dario Fo and Franca Rame
  2. Juliet Guzzetta
  3. pp. 257-277
  4. DOI: 10.1353/ths.2018.0013
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  1. Chavez Ravin: Culture Clash and the Political Project of Rewriting History
  2. Ashley E. Lucas
  3. pp. 279-301
  4. DOI: 10.1353/ths.2018.0014
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  1. A History of Japanese Theatre ed. by Jonah Salz (review)
  2. Peter A. Campbell
  3. pp. 317-318
  4. DOI: 10.1353/ths.2018.0016
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  1. Political Acts: Women in Northern Irish Theatre, 1921–2012 by Fiona Coleman Coffey (review)
  2. Penelope Cole
  3. pp. 318-321
  4. DOI: 10.1353/ths.2018.0017
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  1. What Playwrights Talk About When They Talk About Writing by Jeffrey Sweet (review)
  2. Matt Fotis
  3. pp. 321-324
  4. DOI: 10.1353/ths.2018.0018
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  1. Stanislavsky in the World: The System and Its Transformations across Continents ed. by Stefan Aquilina and Jonathan Pitches (review)
  2. Mayhill Fowler
  3. pp. 324-326
  4. DOI: 10.1353/ths.2018.0019
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  1. Chinatown Opera Theater in North America by Nancy Yunhwa Rao (review)
  2. Andrew Gibb
  3. pp. 326-328
  4. DOI: 10.1353/ths.2018.0020
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  1. Tennessee Williams by Paul Ibell (review)
  2. Jeff Grace
  3. pp. 329-331
  4. DOI: 10.1353/ths.2018.0021
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  1. May Irwin: Singing, Shouting, and the Shadow of Minstrelsy by Sharon Ammen (review)
  2. Rhona Justice-Malloy
  3. pp. 334-336
  4. DOI: 10.1353/ths.2018.0023
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  1. Women on Southern Stages, 1800–1865: Performance, Gender and Identity in a Golden Age of American Theater by Robin O. Warren (review)
  2. Karin Maresh
  3. pp. 336-339
  4. DOI: 10.1353/ths.2018.0024
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  1. Antitheatricality and the Body Public by Lisa A. Freeman (review)
  2. Shawna Mefferd Kelty
  3. pp. 340-342
  4. DOI: 10.1353/ths.2018.0025
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  1. When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film by William Paul (review)
  2. Wes D. Pearce
  3. pp. 342-346
  4. DOI: 10.1353/ths.2018.0026
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  1. Ira Aldridge: The Last Years, 1855–1867 by Bernth Lindfors (review)
  2. Dan Venning
  3. pp. 346-348
  4. DOI: 10.1353/ths.2018.0027
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  1. DAH Theatre: A Sourcebook ed. by Dennis Barnett (review)
  2. C. Drew Vidal
  3. pp. 349-351
  4. DOI: 10.1353/ths.2018.0028
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  1. Books Received
  2. pp. 353-355
  3. DOI: 10.1353/ths.2018.0029
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  1. Contributors
  2. pp. 357-360
  3. DOI: 10.1353/ths.2018.0030
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