In short-fiction pieces by Raymond Carver, Jorge Luis Borges, and Nathan Englander we continually find characters telling stories in order to influence other characters' moral judgment. Drawing on the work of Alasdair MacIntyre, Paul Ricoeur, and Peter Goldie, I demonstrate how narration accomplishes such an impact on judgment by working through the functions of narrative identity, ultimately serving to direct our empathy and to complicate our application of principles. The stories here considered illustrate the centrality of narrative in moral reflection, in the sense that certain configurations of narrative may have the effect of unhinging our moral presumptions.