1. The First Trial of Socrates
  2. George T. Hole
  3. pp. 1-15
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  1. The Lurking Class: From Parasocial Postal Clerks to Hypersocial Vloggers
  2. Eric Bronson
  3. pp. 16-30
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  1. Art World: Grudger, Sucker, Cheat
  2. Christopher Perricone
  3. pp. 31-44
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  1. Engaging the World: Writing, Imagination, and Enactivism
  2. Ian Ravenscroft
  3. pp. 45-54
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  1. Sartre and Koestler: Bisociation, Nothingness, and the Creative Experience in Roth's The Anatomy Lesson
  2. James Duban
  3. pp. 55-69
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  1. Levels of Literary Meaning
  2. Søren Harnow Klausen
  3. pp. 70-90
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  1. Hume, Halos, and Rough Heroes: Moral and Aesthetic Defects in Works of Fiction
  2. E. M. Dadlez
  3. pp. 91-102
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  1. The Morals of Stories: Narrating Judgment in Carver, Borges, and Englander
  2. Dillon Rockrohr
  3. pp. 103-118
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  1. What George Eliot of Middlemarch Could Have Taught Spinoza
  2. Brian Fay
  3. pp. 119-135
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  1. Fearless?: Peter Weir, The Sage, and the Fragility of Goodness
  2. Matthew Sharpe
  3. pp. 136-157
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  1. Hushed Resolve, Reticence, and Rape In J. M. Coetzee's Disgrace
  2. Mary LeBlanc
  3. pp. 158-168
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  1. Irony and Cognitive Empathy in Chrétien de Troyes's Gettier Problem
  2. Brian J. Reilly
  3. pp. 169-184
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  1. Motherhood in Ferrante's The Lost Daughter: A Case Study of Irony as Extraordinary Reflection
  2. Melissa Mcbay Merritt
  3. pp. 185-200
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  1. Uses of Hamartia, Flaw, and Irony in Oedipus Tyrannus and King Lear
  2. Roy Glassberg
  3. pp. 201-206
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  1. Knowledge of People
  2. Humberto Brito
  3. pp. 207-214
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  1. The Long Revenge of Zobel Blake
  2. A. Joachim Glage
  3. pp. 215-229
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  1. Love as Communication: A Short, Redacted Argument from the Phaedrus
  2. Rui Zhu
  3. pp. 230-231
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