Index to Volume 14 (1980)

Index to Volume 14 (1980) Adler, Thomas P. The Mirror as Stage Prop in Modern D r a m a ............................... iv 355 Battenhouse, Roy Methods of Drama Criticism iii 230 Bjork, David A. On the Dissemination of Quern quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources i 46 Chides, John Aeschylus and O’Neill: A Phenomenological View ii 159 Collins, Fletcher, Jr. The Home of the Fleury Playbook iv 312 Coskren Robert Wagner and Shaw: Rheingold Motifs in Major Barbara i 70 Doebler, Bettie Anne Continuity in the Art of Dying: The Duchess of Malfi iii 203 Dundas, Judith The Truth of Spectacle: A Meditation on Clouds iv 332 Eccles, Mark Measure for Measure, Montmorency, and Sardou’s La Tosca . . . . i 74 Falk, Florence Dream and Ritual Process in A Midsummer Night’s Dream iii 263 Guilfoyle, Cherrell The Beginning of Hamlet ii 137 “Ower Swete Sokor”: The Role of Ophelia in Hamlet . . . . i 3 Hinden, Michael Desire and Forgiveness: O’Neill’s D i p t y c h ............................... iii 240 Hughes, Derek Aphrodite katadyomene: Dryden’s Cleopatra on the Cydnos i 35 Londré, Felicia H. Using Comic Devices to Answer the Ultimate Questions: Tom Stoppard’s Jumpers and Woody Allen’s God . iv 346 McCollom, William G. Verse Drama: A Reconsideration ii 99 McLellan, Samuel G. Rhyme and Reason in Ibsen’s Norma . iv 321 391 392 Comparative Drama Merrix, Robert P., and Palacas, Arthur Gadshill, Hotspur, and the Design of Proleptic Parody iv 299 Morrison, Kristin Defeated Sexuality in the Plays and Novels of Samuel Beckett i 18 Robinson, James A. Taoism and O’Neill’s Marco Millions iii 251 Trainor, Stephen L. Suicide and Seneca in Two Eighteenth Century Tragedies ili 216 Vinter, Donna Smith Didactic Characterization: the Towneley Abraham ii 117 REVIEWS SPRING: York, ed. Alexandra F. Johnston and Margaret Rogerson (Clifford Davidson); The Gorgon’s Head: A Study in Tragedy and Despair, by William R. Brashear (John Chides); Les Centres dramatiques nationaux de province, by Kenneth White (Bettina Knapp); Marlowe’s The Jew of Malta, ed. N. W. Bawcutt (Mark Rose); The Irish Drama of Europe from Yeats to Beckett, by Katharine Worth (Marilyn Gaddis Rose); Robert Anderson, by Thomas P. Adler (Stephen S. Stanton); Opera in the Development of German Critical Thought, by Gloria Flaherty (Henry A. Lea); Goethe and the Weimar Theatre, by Marvin Carlson (Liselotte Dieckmann); Leeds Studies in English, n.s. 10. SUMMER: The Dramatic Works in the Beaumont and Fletcher Canon, ed. Fredson Bowers et al., Volume IV (Christopher Spencer): Thomas Betterton and the Management of Lincoln’s Inn Fields 1695-1708, by Judith Milhous (Frederick J. Rogers); The Playwright as Magician: Shakespeare’s Image of the Poet in the English Public Theater, by Alvin B. Kerman (Mark Eccles); Clifford Odets: Playwright-Poet, by Harold Cantor (Walter J. Meserve); John Ford and the Caroline Theatre, by Dorothy M. Farr (Robert C. Jones); Beyond Absurdity: The Plays of Tom Stoppard, by Victor L. Cahn (Felicia Hardison Londre); /. M. Synge and the Western Mind, by Weldon Thornton (Marilyn Gaddis Rose). FALL: Contemporary Approaches to Ibsen: Reports from the Fourth Inter­ national Ibsen Seminar, ed. Daniel Haakonsen (Brian Johnston); Chester, ed. Lawrence M. Clopper. Records of Early English Drama, Volume 3 (Peter W. Travis); Shaw and Ibsen: Bernard Shaw’s The Quintessence of Ibsenism and Related Writings, by J. L. Wisenthal (Arthur Ganz); Dreams of Passion: The Theater of Luigi Pirandello, by Roger W. Oliver, and The Dream Structure of Pinter’s Plays: A Psychoanalytic Approach, by Lucina Paquet Gabbard (Joseph J. Moleski); The Baptism and Temptation of Christ: The First Day of a Medieval French Passion Play, ed. John R. Elliott, Jr., and Graham A. Runnalls (M. J. Freeman); Thomas Middleton and the New Comedy Tradition, by George E. Rowe, Jr. (Donald K. Anderson, Jr.). WINTER: Forging a Language: A Study of the Plays of Eugene O’Neill, by Jean Chothia, and Poems: 1912-1944, by Eugene O’Neill, ed. Donald Gallup (Michael Hinden); Threshold of a Nation: A Study in English and Irish Drama, by Philip Edwards (Larry S. Champion); The Ornament of Action: Text and Performance in Restoration Comedy, by Peter Holland (Robert D. Hume...