1. Gadshill, Hotspur, and the Design of Proleptic Parody
  2. Robert P. Merrix, Arthur Palacas
  3. pp. 299-311
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  1. The Home of the Fleury Playbook
  2. Fletcher Collins Jr.
  3. pp. 312-320
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  1. Rhyme and Reason in Ibsen’s Norma
  2. Samuel G. McLellan
  3. pp. 321-331
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  1. The Truth of Spectacle: A Meditation on Clouds
  2. Judith Dundas
  3. pp. 332-345
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  1. Using Comic Devices to Answer the Ultimate Question: Tom Stoppard’s Jumpers and Woody Allen’s God
  2. Felicia Hardison Londré
  3. pp. 346-354
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  1. The Mirror as Stage Prop in Modern Drama
  2. Thomas P. Adler
  3. pp. 355-373
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  1. Forging a Language: A Study of the Plays of Eugene O’Neill by Jean Chothia, and: Poems: 1912–1944 by Eugene O’Neill (review)
  2. Michael Hinden
  3. pp. 374-379
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  1. Threshold of a Nation: A Study in English and Irish Drama by Philip Edwards (review)
  2. Larry S. Champion
  3. pp. 379-382
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  1. The Ornament of Action: Text and Performance in Restoration Comedy by Peter Holland (review)
  2. Robert D. Hume
  3. pp. 382-386
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  1. Plays of Confession and Therapy by August Strindberg (review)
  2. Felicia Hardison Londré
  3. pp. 386-388
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  1. The Abbey. Ireland’s National Theatre 1904–1979 by Hugh Hunt (review)
  2. Marilyn Gaddis Rose
  3. pp. 388-389
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  1. Metafictional Characters in Modern Drama by June Schlueter (review)
  2. Enoch Brater
  3. pp. 389-390
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  1. Index to Volume 14 (1980)
  2. pp. 391-392
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  1. Contributors
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