Index

AUTHOR/TITLE	VOL. NO.	PAGES
Jennifer Anderson Bliss Redrawing History: Visual Postmemory in Tardi’s 120, rue de la Gare	49.1	73-92
Ed Cameron Harmony Korine’s “Break from Reality”: Spring Breakers as Candy-Coloured Neon Noir	49.4	89-105
Emily Cheng The Vietnamese American “Model Orphan” in Aimee Phan’s We Should Never Meet	49.3	109-25
Milton A. Cohen The Morgan Loans, Baku Oil, and Woodrow Wilson: How Valid Were John Dos Passos’s Claims in 1919?	49.3	127-41
Kathy Comfort Referencing Proust in Annie Guéhenno’s L’Épreuve	49.1	1-17
Paul M. Curtis “Yo man so what’s your story”: The Double Bind and Addiction in David Foster Wallace’s Infinite Jest	49.4	37-52
Eva Darias-Beautell The Softness of Theory: A T(r)opological Reading of Lisa Robertson’s Soft Architecture	49.4	53-70
Sean Dempsey “Set my lands in order”: States of Exception, the Cinematic, and The Waste Land	49.1	111-27
Natalie Diebschlag Jazzing the Novel: The Derridean Ethics of Michael Ondaatje’s Coming through Slaughter	49.1	161-78
M. Reza Ghorbanian Subjectivity as Alterity in Seamus Heaney’s Poetry	49.2	113-32
Wayne Glausser Limbo, Pluto, Soprano: Negative Capability in Three Underworlds	49.1	55-71
John Glendening Education, Science, and Secularist Ethics in Alasdair Gray’s Poor Things	49.2	75-92
Ibis Gómez-Vega Marriage, Myths, and Fairy Tales in Diana Abu-Jaber’s Arabian Jazz	49.2	133-47
Keith Harrison Bakhtinian Polyphony in Godard’s King Lear	49.3	159-78
Eva Heisler Soulful Mathematics: Poetry and Icelandic Conceptualism	49.2	51-73
Jin Man Jeong How and What to Recollect: Political and Curative Storytelling in Silko’s Ceremony	49.3	1-17
Alaina Kaus A View from the Vietnamese Diaspora: Memories of Warfare and Refuge in GB Tran’s Vietnamerica	49.4	1-19
Joseph DeFalco Lamperez The Aztecs and Urban Form in Georges Bataille, Diego Rivera, and J. G. Posada	49.4	145-67
Patrick S. Lawrence The “Vocabulary of Human Behavior”: Gesture in How the García Girls Lost Their Accents	49.2	35-50
Jill LeRoy-Frazier Travels in Subjectivity: Post(Genomic) Humanism in Ursula K. LeGuin’s Changing Planes	49.2	95-111
Gabriel Alexander Lovatt From Experiment to Epidemic: Embodiment in the Decadent Modernism of Arthur Machen’s “The Great God Pan” and “The Inmost Light”	49.1	19-35
Lisa McGunigal The Criminal Trial of Anne Hutchinson: Ritual, Religion, and Law	49.2	149-66
Joseph Mai “Un tissu de mots”: Writing Human and Animal Life in Olivia Rosenthal’s Que font les rennes après Noël ?	49.3	55-70
Carl D. Malmgren Art and Life in Edith Wharton’s “The Muse’s Tragedy”	49.4	129-44
Lorraine Markotic Deleuze’s “Masochism” and the Heartbreak of Waiting	49.4	21-36
Mary Janell Metzger Epistemic Injustice and The Rape of Lucrece	49.2	19-34
Stella Oh Ethical Spectatorship in Adrian Tomine’s Shortcomings	49.4	107-27
Justin Prystash Vectors of a Flea: The Convergence of Species in Victorian Animal Autobiographies	49.1	37-53
Jason Puskar Black and White and Read All Over: Photography and the Voices of Richard Wright	49.2	167-83
Antje M. Rauwerda Third Culture Time and Place: Michael Ondaatje’s The Cat’s Table	49.3	39-53
Bruce Redwine The Ancient Egyptian Context of The Alexandria Quartet	49.3	71-90
Romén Reyes-Peschl The Detective as “Zombie of the Interrogative Mood” in Cameron McCabe’s The Face on the Cutting-Room Floor	49.1	93-109
Brian Reed Idea Eater: The Conceptual Lyric as an Emergent Literary Form	49.2	1-18
Natalie Roxburgh, Anton Kirchhofer, and Anna Auguscik Universal Narrativity and the Anxious Scientist of the Contemporary Neuronovel	49.4	71-87
Payal Taneja Gift-Giving and Domesticating the Upper-Class Pooch in Flush	49.1	129-44
Jay Telotte Robby the Robot and Robotic Persistence	49.3	19-37
Irene Visser What Counts: Social Drama and Connectedness in Flannery O’Connor’s “The River” and “Revelation”	49.3	143-58...