1. A View from the Vietnamese Diaspora: Memories of Warfare and Refuge in GB Tran’s Vietnamerica
  2. Alaina Kaus
  3. pp. 1-19
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  1. Deleuze’s “Masochism” and the Heartbreak of Waiting
  2. Lorraine Markotic
  3. pp. 21-36
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  1. “Yo man so what’s your story”: The Double Bind and Addiction in David Foster Wallace’s Infinite Jest
  2. Paul M. Curtis
  3. pp. 37-52
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  1. The Softness of Theory: A T(r)opological Reading of Lisa Robertson’s Soft Architecture
  2. Eva Darias-Beautell
  3. pp. 53-70
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  1. Universal Narrativity and the Anxious Scientist of the Contemporary Neuronovel
  2. Natalie Roxburgh, Anton Kirchhofer, Anna Auguscik
  3. pp. 71-87
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  1. Harmony Korine’s “Break from Reality”: Spring Breakers as Candy-Coloured Neon Noir
  2. Ed Cameron
  3. pp. 89-105
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  1. Ethical Spectatorship in Adrian Tomine’s Shortcomings
  2. Stella Oh
  3. pp. 107-127
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  1. Art and Life in Edith Wharton’s “The Muse’s Tragedy”
  2. Carl D. Malmgren
  3. pp. 129-144
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  1. The Aztecs and Urban Form in Georges Bataille, Diego Rivera, and J. G. Posada
  2. Joseph Defalco Lamperez
  3. pp. 145-166
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  1. Recomposing the Self: Joyful Shame in Dorothy Allison’s Bastard Out of Carolina
  2. Rachel Walerstein
  3. pp. 169-183
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  1. Index
  2. pp. 185-188
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  1. Introduction
  2. Dawne McCance
  3. pp. v-vi
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